LOOP2012
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Archive
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Venue:
Bankside Gallery -
From:
November 06, 2012 -
To:
November 11, 2012 -
Location:
London
MEASURING THE EXPERIENCE #13 My intention when setting out (in 1993-96), to study the work and activities of artist-led organisations – that is those in which the ideology and artistic practice of artists are the starting point – had many […]
Arts funding body Creative Scotland has been scrutinised by MSPs on the Scottish Parliament’s Education and Culture Committee, with representatives from Scotland’s visual arts sector giving evidence.
As the inaugural, artist-run CAVE Art Fair draws to a close in Liverpool, we get the views of some of the exhibiting artists – and a potential buyer.
As Whitstable Biennale draws to a close this weekend, we talk to its director Sue Jones and explore how the town informs the art.
Just before I went away, I wrote about how for the first time, I felt that I’d actually earned a holiday this year. I’ve been thinking about this, intrigued about where this new train of thought has come from. I’ve […]
MEAUSURING THE EXPERIENCE – 10 Does a studio group or any other artist-led resource provide anything more than affordable space or access to equipment? As my Survey of group studio provision [1]indicated, nearly half of studio groups are involved in […]
MEASURING THE EXPERIENCE – 11 Are artist-led organisations more successful at attracting or retaining audiences? Quantifying ‘audiences’ as regards visual arts activities is not easy because although it is possible to cite how many children participated in an residency, it […]
MEASURING THE EXPERIENCE – 8 Do artist-led organisations improve with age? Are the ones which only last a short time ‘unsuccessful’? Many organisations in this report have lasted many years and are now as much a part of the visual […]
MEASURING THE EXPERIENCE – 9 I studied300 artist-led groups in 1995 so one thing I’ll be doing to update my original research is reviewing how many of that original number remain now and of those who do, finding out whether […]
A part-time theatrical costume maker battles for justice for Yorkshire artists, alleging that vested interests were at play in connection with a Cultural Olympiad grant.
Why is an event like Sluice Art Fair so important? We find out from artists and the project’s organisers.
Marking its first year as an official Liverpool Biennial partner, artist-run space The Royal Standard has announced the organisations taking part in ‘Service Provider’, its ambitious ten-week programme for the festival.
CAVE is a new artist-led art fair for the city of Liverpool, set to launch during the opening weekend of the 7th Liverpool Biennial in September. We talk to one of its organisers.
MEASURING THE EXPERIENCE – 7 The Stage 1 study threw up a range of areas of questioning to be tested in the detailed case studies including: What kind of relationship should there be between artist-led organisations and public funding bodies? […]
Only just realised its been a very long time since I last posted… Sorry! I’ve been really busy, this post will cover the last month of my life which has included producing and presenting new work as a part of […]
As media sponsor, a-n is pleased to support Art Across the City 2012, which will see Swansea hosting an exciting programme of new public art commissions this September.
MEASURING THE EXPERIENCE – 2 From the Introduction to the study: “I first thought about undertaking a study of artist-led organisations in 1992, although it took some time before I was able to gain the interest of anyone who might […]
MEASURING THE EXPERIENCE – 1 There’s been heightened conversation in recent months – especially in England where Arts Council England’s NPO strategy cut funding to many artists’ bodies – about the role of and support for the artist-led within publicly […]
Henry Moore Institute, Leeds
19 July – 21 October 2012
Bit of a manic 24 hours. Delivered my drawings for the Ludlow Open, facilitated a live Twitter debate for AIR/a-n, and also written, proofed and distributed the Madge Gill press release. Most importantly I’ve completed my third drawing of the […]
Zeitgeist Arts Projects present their research on open submission competitions and explain why they insisted on transparency for their own newly-launched Zeitgeist Open.
Last week’s Olympic Art Review conference looked beyond the headline-grabbing Arcelor Mittal Orbit to explore the social, cultural and economic agendas behind London 2012’s Art in the Park.
Corridor8, an annual journal showcasing contemporary art and writing in the North of England, launches Part 3 of its third Issue tonight at The Bluecoat, Liverpool.