A-n and Axis are launching a new programme of dynamic, practice-led discussions on hospitality, space and contemporary art making, researched and directed by artist, curator and writer Sonya Dyer. Here, she sets out her thinking for the programme.
Ruthin Gaol, Nantclwyd y Dre and Ruthin Craft Centre, Ruthin
28 – 30 August 2010
My mind keeps coming back to something Yoko Ono posted on her Twitter account. It seems to be about the idea-roots of her famous instructional paintings, such as ‘Painting to See the Skies’ and ‘Painting to See the Room’ (both […]
Sideshow will take place between October and December for the second time around whilst the quinquennial British Art Show visits Nottingham.
Transmission Gallery’s resource room and archive opened to the public in July, enabling all to explore what has put Transmission Gallery at the forefront of Glasgow’s art scene since 1983.
Selected round-up of forthcoming events, training courses and professional development opportunities from the world of new media arts and imaging.
Last September, artist collective Tether embarked on a road trip across the UK to visit and interview the many artist-led galleries, arts initiatives and collectives in cities as far and wide as Dundee, Birmingham, Bristol, Brighton and Liverpool.
Setting up an artist-led space: the ‘Why’ factor… Rosalind recently asked me a pertinent, and challenging, question. It’s had me shaking in my boots – well, sandals, actually, we’re having a heatwave here in Philly – and thinking hard. So, […]
12 Visual art representatives address the damage that will be inflicted by proposed spending cuts, in a letter to the Secretary of State for Culture, Olympics, Media and Sport.
Case studies and commentary by Lauren Healey on this imaginative scheme for artist-led professional development. [PDF format, 74kb. Requires PDF reader. ]
DIGPreview: FAFF2010 http://www.digyorkshire.com/HighlightDetails.aspx?… DIG Yorkshire > Home > Art > Fundada Film Festival 06/08/10 “This not-for-profit, artist-led art festival will be taking place in the beautiful setting of the Square Chapel Centre for the Arts, as part of the wider […]
Richard Taylor finds out how three artist groups are re-vamping their structures as established organisations, to support new talent and promote a variety graduate activity.
Led by the PITT artist-led space and Worcestershire Contemporary Artists in partnership with the main Worcester City Gallery, The Worcester Open 2010 Contemporary Art project is organised for artists by artists.
For its tenth birthday in May, Tate Modern hosted
Project Space 11 opened on the 23rd June 2010,is an artist-led initiative situated in the heart of Plymouth City Market. The setting of a traditional indoor market – a microcosm of Plymouth culture and unique in its architecture creates an […]
In March 2008, Claremont Studios was granted a NAN Go and See bursary to travel to visit a number of like-minded artist-led initiatives in the UK for research and development. Emilia Telese talks to the group about the bursary and its impact.
Worcester City Museum and Art Gallery, The PITT studio and Annex21, Worcester
24 April – 26 June 2010
Art Sheffield 2010 – Life: A User’s Manual, Various venues, Sheffield, 6 March – 1 May
Art Sheffield 2010: Over To You, Bank Street Arts, Sheffield, 6 March – 1 May
In 2007 Noemi Lakmaier and Joy Stanley were granted a NAN New Collaboration bursary to fund research and development for Final Intervention, a project responding to the lack of opportunities for early-career installation artists to make and show new work. It aimed to organise collaborative projects/exhibitions within buildings about to be pulled down. Emilia Telese talks to the artists about the bursary and its impact.
In September 2009, the Lincoln Art Programme was granted a NAN Go and See bursary to travel to Bristol for research and development. Emilia Telese talks to Alan Armstrong about the bursary and its impact on his group.
Launched in 2006,Turning Point is a national ten-year strategy for the visual arts. A network of regional Turning Point groups has since been emerging, each charged with “strengthening the visual arts infrastructure”.
A couple of years ago I ran a small local arts organisation, the Revolutionary Arts Group, struggling with no resources to stage artist-led festivals and open studio events, and using non-traditional venues for exhibitions- an old bakers, a functioning church, […]
