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Blog Post

Latest updates

It’s been a while again since I updated! Partly because it’s all behind the scenes stuff right now and I have been simultaneously working on three other projects on top of Made in Korea: my current public art commission, a […]

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NOW SHOWING #182: The week’s top exhibitions

This week’s selection includes a group show in Gateshead exploring the journeys taken by migrants and refugees to cross the Mediterranean Sea, a playful take on curating in Manchester, and the beginning of Bluecoat’s 300-day tercentenary programme in Liverpool.

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About Policies

Payment policy

Sets out how a-n The Artists Information Company ensures proper and fair payment both within the company and across its programmes and operations.

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Blog Post

Kenn Taylor – In Conversation

I sat down with Kenn Taylor, for a chat about participation, context and public art. Kenn Taylor is Head of Participation at The Tetley, and is leading on their part in the Dewsbury Road project. The Tetley have been asked […]

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2016 in view: “Out of the messiness came solidarity and collaboration”

a-n’s Executive Director Jeanie Scott reflects on an incredibly busy year for the organisation that has seen the publication of the Paying Artists Exhibition Payment Guidance, wide-ranging support for artists through a-n bursaries, and membership reach a record high. And, despite an increasingly messy global situation, says there’s much to look forward to in 2017.

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A Q&A with… Nicholas Sharp, director and co-founder of The Multiple Store

‘The Last Editions’ is the final chance to celebrate the work of The Multiple Store and to buy one of the high-quality editions it has been commissioning since 1998 by artists including Turner Prize nominees and winners. Co-founder Nicholas Sharp talks about his reasons for starting the project, and why it’s now time to wrap things up.

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Paying Artists
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Paying Artists campaign: a journey from consultation to guidance

As a-n/AIR’s Paying Artists campaign prepares for the launch of its Exhibition Payment guide on Wednesday 12 October 2016, we take a look at some of the key moments in the campaign’s history, highlighting the rich and varied dialogue with artists and the wider visual arts sector that has informed its recommendations.

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