As I am just embarking on a new project freshly funded by the Arts Council of England (so fresh I am still to receive the first paycheque!), I thought it would be fun (and might be mildly entertaining or a […]
A new blog initiated by the artist Emily Speed invites artists to map and explore how their networks and opportunities are made through the process of making work.
This week’s selection of must-see shows includes abstract drawing in London, two titans of modern sculpture in Warwickshire, and speculative future-gazing in Cambridge.
24th February 2014 Weather: Spring in the air after tempests and floods. Picking up the thread of a thought from back in June on lifespans. (But first; just for anyone who is interested in the outcome of my broken van […]
TOOLS- METAL CASTING PROCESS During Advanced Media Pathway, a module I completed last year, I began to design and create my own tools made from lead-free pewter that were used in the creation of Impasse. At the time I realized […]
A skeletal, riderless horse and a 10-metre-high thumbs up are confirmed as the latest works to take their place on the Fourth Plinth in London’s Trafalgar Square.
Peckham Platform launches its new vision as an independent charity with the opening of Ruth Beale’s participatory installation, Bookbed. We talk to the artist and the organisation’s executive director Emily Druiff about libraries, socially-engaged practice and being a creative educational platform.
Disabled artists organisation Shape and Artsadmin have been awarded £1.5million by Arts Council England to deliver Unlimited, a new three-year programme of commissions. With the launch of its Unlimited Allies scheme, it’s now looking for help and support so that the scheme can deliver a long-term legacy.
Chisenhale Gallery, The Showroom and Studio Voltaire reveal how their artistic and research ethos will lead the way for their fundraising priorities in their joint, Catalyst fund-supported project, How to work together.
It’s been a week that has seen a multi-million pound sponsorship deal at Tate Modern and controversy and column inches about a chair, a Russian socialite and a publicity picture of questionable taste. But is there a link between the two stories?
A new, historically sensitive space at Edinburgh’s former City Observatory on Calton Hill expands Collective’s programme of Scottish and international work.
All a-n’s UK Artist + AIR members get free, specially tailored public and products liability insurance with their annual membership. Here, a-n’s Director outlines why making sure you’re properly covered is essential for every practising artist.
As the Jerwood Open Forest competition moves to its next stage with an exhibition of five proposals opening in London, an additional £30,000 commission prize has been announced thanks to new support from Arts Council England.
Arts Council England has set out its agenda for arts investment for 2015-18, and alongside an announcement that the National Portfolio Organisation budget will combine Lottery funding with government grant-in-aid for the first time, ACE also says it is expecting NPOs to pay artists fairly.
What does 2014 have in store in terms of conferences and events, art fairs and festivals? We take a month-by-month look at what the year has to offer.
A design duo, an architecture practice, two ceramicists and a glass artist make up the boundary-pushing shortlist of this year’s Jerwood Makers Open.
No Funding Here’s a post I wrote a couple of months ago but must I must have failed to click the final ‘post’ button as I reliased it hadn’t gone live. If you’ve read some of my earlier posts then […]
At a-n, we know that small awards to artists specifically for self-determined professional development make a big difference. That’s why we’re extending the artists’ bursary programme in 2014.
MEASURING THE EXPERIENCE #34 A similar variation in numbers of artists in an area occurs within the case studies. For example, Eastern Arts Board, which covers the counties of Bedford, Cambridge, Essex, Hertford, Lincoln, Norfolk and Suffolk holds a database […]
MEASURING THE EXPERIENCE #35 Such a situation suggests therefore that the arts funding system must have other intentions for its support of artists and artist-led organisations over and above their value as ‘economic units’. An alternative way of recognising the […]
A just published summary of a-n’s audited accounts to March 2013 shows how its operations benefit its members, subscribers and stakeholders.
The Warwick Commission is aiming to develop new policy thinking and practical recommendations related to the long-term sustainability of culture in the face of tough economic challenges.
Susan Jones introduces a collation of key documents and evidence that informed a-n’s publication of fees and payments guidance and good practice documents. This report aims to widen understanding of the history and prior good practice thinking and attitudes around payment to artists.
