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~Flow
Resource Archive Feature

~Flow

Flow is a tidemill, a floating building on the River Tyne that generates its own power using a tidal water wheel and houses a range of musical machinery that responds to the river. It is one of the twelve Artists taking the lead’ commissions to celebrate the London 2012 Olympic and Paralympic Games. ~Flow is the brainchild of the artist group Owl Project and producer Ed Carter: To bring their fantastical idea to life required the skills and expertise of a diverse range of professionals, including Nicky Kirk, a chartered architect; Amble Boat Company; and David Willcox, a waterwheel designer. Here David, Ed and Owl Project talk about their experience.

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Still life with electric fan
Resource Archive News archive

Prizewinners announced

Thirty-eight artists have been selected from more than 600 hundred applications for the 5th Oriel Davies Open exhibition (Oriel Davies Gallery, Newtown, until 27 June). “Works presented use diverse materials and visual techniques to push boundaries – such as challenging […]

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Gravity [detail]
Event Exhibition

Place of Reflection

  • Archive
  • Venue:
    Napoleon Garden, Holland Park
  • From:
    May 12, 2012
  • To:
    November 16, 2012
  • Location:
    London
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HERO
Review

HERO

Boughton House, Kettering
25 February – 4 May 2012

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Exhibitions are not enough 1
Resource Research paper

Exhibitions are not enough: Publicly-funded galleries and artists? professional development

Reyahn King explores the role of galleries within professional development for visual artists. In the current climate, how can professional development for visual artists be continued and improved? This paper suggests that one answer lies in the relationship between publicly-funded regional galleries and visual artists becoming wider, deeper, and more strongly valued.

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a-n logo
News News story

Granted

A new professional development programme from a-n The Artists Information Company.

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Crochetdermy Royal Crest
Resource Archive Feature

Presenting your ideas

A good proposal is like a conversation. To begin a really good relationship, you’ve got to find out as much as you can about who you’re talking to and what they’re interested in. This is the basis of making a successful pitch.

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Blog Post

Untitled blog post from "Attending Factory Nights"

Rednile Projects, Factory Commissions, Crabtree & Co Proposal Project Name: The Queen’s visit Medium: Live event Concept I intend to facilitate the visit of a Queen look alike to take part in the launch of the Crabtree & Co Factory […]

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Blog Post

Untitled blog post from "Simulacra And Simulations"

I’ve been working on a number of things, as outlined in my blog: http://helend-blackbird.blogspot.com/2012/02/my-final-animation-has-been-uploaded.html Please “like” my Apparatjik animation here: http://vimeo.com/36575379 I was invited to take part in this auction http://www.afterdarkgallery.co.uk/ I asked from the outset what benefits this would […]

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Untitled
Resource Archive Feature

Digital partners

The social media revolution has had a significant impact on the ways artists work. Here we focus on a selection of projects that artists have developed through online collaboration, sourced via our Twitter and Facebook followings.

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Bird and Moon
Resource Archive Feature

Artist in residence

From subsidised studio and accommodation to one-on-one mentoring sessions, here we spotlight a selection of residencies that provide support to artists across the UK and beyond.

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Blog Post

Untitled blog post from "Keeping Time"

A crucial radiator has broken. It’s cold. Today I did not work on Sunday’s talk. I interviewed florists. Florists shouldn’t officially appear on this blog, they’re part of a separate project. But I can’t help it. I’m making no attempt […]

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Starchitect
Resource Archive Feature

Realising the value

An abridged version of Dany Louise’s follow-up report on small visual arts organisations cut by Arts Council England, six months after her ‘Ladders for development’ enquiry. She asks: how have these organisations fared and what do their futures hold? Read the full version of this report with updates on all surveyed organisations: www.a-n.co.uk/realising_the_value

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Untitled (inflatable)
Resource Archive Feature

Prizes and awards

Exhibition, residency and bursary opportunities for artists across the UK and beyond.

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Installation as part of Artsway New Forest Pavilion
Resource Research paper

Realising the value: how practice-based organisations will fare after ACE cuts

‘Ladders for development’ argues that the visual arts sector should pull together and support small visual arts organisations cut by Arts Council England because they “punch above their weight” and provide vital development of future artists. Six months on, Dany Louise interviews these arts organisations again, to find out how they’ve fared and what their futures hold.

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