Time lapse
Brian McClave and Gavin Peacock recall how they joined forces within their artistic careers, and discuss their motives for collaborating.
Brian McClave and Gavin Peacock recall how they joined forces within their artistic careers, and discuss their motives for collaborating.
Being accidentally locked in an anteroom at the European Commission in Brussels with Edward De Bono was an apt way to begin to understand the European Year of Creativity and Innovation (EYCI). The reason the renowned De Bono was in […]
The Art in the Social Sphere symposium positioned Radar’s latest programme of work, ‘Group Process’, within the wider context of an increased artistic interest in socially engaged practice. Speakers addressed issues of “authorship, motivations behind an increase in engaged practice […]
Michael Shaw discusses his recent residency at Davy Markham engineering in Sheffield, and works that have resulted from his use of computer aided design and rapid prototyping within his sculptural practice.
Contents include: Up for Debate, The art of amateurism plus Home office curbs non-eu artists; Lucienne Cole’s socially engaged project at Whitworth Art Gallery in Collaborative Relationships; Michael Shaw is this month’s Big picture – his residency at Davy Markham […]
Group Process is the latest season of work to be staged by Radar, Loughborough University’s contemporary arts programme. Running into February; it involves new and adapted commissions produced by artists Lisa Cheung, Yvonne Droge Wendel, public works / myvillages.org, Parfyme and Yara El-Sherbini.
In the autumn, Boris Johnson London’s Mayor, set out plans to enhance Londoners’ experience of arts and culture in the capital saying that his job is not to back heritage over modernism [but] to encourage all manner of artistic expression.
Abigail Branagan profiles Collect – the international art fair for contemporary objects.
Artist Talk Gayle Chong Kwan 5th December 2008 1-2pm Artist Talk and 3-4pm Q&A Film Theatre, Staffordshire University, College Road, Stoke on Trent ST4 2DE Gayle Chong Kwan will discuss her artwork, which can be seen as part of the […]
Contents include: Double issue includes Collaborative relationships: Margherita Gramegna and Francis Knight; Big picture by Rowena Dring plus special commissions and workspace features. PDF version [size 6 MB]. Requires PDF reader.
Independent curator Jeni Walwin looks at issues relating to selling work and examines a number of different ways that artists can engage with the art world on a commercial basis.
The British Ceramics Biennial (BCB), launched on 1 December 2008 and directed by A FINE LINE partners Barney Hare Duke and Jeremy Theophilus, is a major initiative to create a programme of events and activities and a showcase Biennial event in Stoke-on-Trent to take place in October/November of 2009, 2011 and 2013.
So here is an interesting thing then; Have you ever had a client allude that they are slightly disapointed, or feel that you are not quite doing your best work? I have, this is the second time its happened. I […]
Conjunction 08; FANTASTIC, FOUND and FAKE. 'Conjunction 08 will open on 7th November across the city and will run until 13th December 2008. The festival will involve over 30 artists, including 25 new commissions by artists of international, national and […]
Sarah Thelwall reveals that there is not one art market but several different ones. These markets are very different in terms of the artists, gallerists and collectors who participate and develop them. This Art market tour articulates the main markets and looks at what drives them.
In the run up to the 2008 Zoo Art Fair, Jane Watt’s profile looks at the first four years of this non-profit enterprise.
I kindly received word from the cavendish group saying that it was perfectly fine for me to display their commission work in my open studio even which is great news. Visitors will be able to see my latest work instead […]
With half the UK’s population residing outwith urban conurbations, and regional and arts and cultural policies prioritising local engagement, locations often regarded as countrified are strategically raising their art world profile through imaginative programmes and project.
Mark Gubb asks public art commissioners and consultants their views on how they select artists for commissions and what they expect artists to prepare for interview.