Primary Ties
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Archive
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Venue:
The Andrew Lamont Gallery, Brecon Theatre -
From:
July 16, 2008 -
To:
August 31, 2008 -
Location:
Wales
Penny Jones profiles Fred Baier exploring the development of his career since the 1970s and commissions for an impressive range of private and public clients.
Manick Govinda explores The Arts Foundation’s numerous awards for individual artists and looks at the impact they have on the receipients.
Frances Lord pulls together themes and strands that emerge from sixteen newly-commissioned interviews, which reflect the sheer diversity of working practice within the applied arts.
Students from universities and art colleges across the UK will be travelling to the capital to showcase their work over the summer.
The short film of the exhibition is now finished. I have drawn a line under this body of work and with time and distance and the help of numerous mind maps, I have a clear idea of where I want […]
It's very easy, when going through a period of severe sleep deprivation (teething baby) to feel that everything else has frozen and nothing is going on on other levels. However, there has been some movement ..I have created a studio […]
PRIMARY PUPILS ENTER THE ART WORLD Nottingham-based installation artist Chris Lewis-Jones feels that he has struck artistic gold working with 52 Year 2 pupils at Forest Park Primary School in Cobridge. Using contemporary art to enhance learning across the curriculum […]
Frances Lord explores Michael Marriott’s career and practice which involves exhibition design, curating, writing, product and furniture design and installation.
Frances Lord profiles Ismini Samanidou who designs woven fabrics for interior spaces, ranging from one-off pieces to limited edition textiles.
Cynthia Cousens explores the practice of weave-designer Eleanor Pritchard, discussing exhibitions, commissions and Crafts Council support.
Frances Lord profiles Linda Florence, who creates wallpapers, flooring surfaces and interior textiles for domestic and commercial interiors, as well as temporary installations in transient materials.
Peter Freeman makes light sculptures and installations that articulate public spaces. Kate Stoddart explores his practice.
Helen Knowles, who featured in a-n’s Degree show supplement 98 publication, reviews her progress over the past decade and discusses her current practice.
To preface a new ongoing series exploring relationships between artists and their collaborators, we asked some of today’s most interesting curators for insights into their practices.
I am writing to lend support to the ideas expressed in the letter How do other artists feel about unpaid public art competitions? (a-n Magazine, April).
Charlotte Frost on the various support systems run by Artsadmin, including information about its head of operations: Toynbee Studios, and examples of several projects it has produced with the likes of: Graeme Miller, Station House Opera and Gary Stevens.
Report first published in 2007 on www.forma.org.uk after an exciting year in which Forma achieved substantial growth in terms of programme, turnover and structure.
Lauren Healeys overview of the Professional development through networking scheme.
Manick Govinda on the often secretive processes behind awards by nomination as well as the benefits for artists in terms of recognition and critical acclaim.
We are self-employed sculptors with wide experience making artworks for the public realm.