Chapter 4: Parenthood is child’s play “We grow out of childhood and leave behind “childish things”. We feel that we shouldn’t act this way anymore, and get a sort of wilful amnesia for pure play experiences.” Page 78 I don’t feel […]
Common Bond Society has been commissioned as part of UP Projects digital commissioning strand, This is Public Space.
This week’s selection features exhibitions and projects presented via online viewing rooms, social media and other online platforms including: Shezad Dawood’s ongoing ten-part film cycle Leviathan at David Roberts Art Foundation and Queer Correspondence at Cell Project Space.
This week’s selection features exhibitions and projects presented via online viewing rooms, social media and other online platforms including: Alvaro Barrington’s digital drawings at Sadie Coles, a-n members Julia Cameron and Simon Marshall exhibiting large scale photography on the side of their house in Norwich and a collaborative project from Airspace.
Hi I’ve been asked to illustrate a book cover, my friend has written it. I don’t normally take commissions, she has explained that she doesn’t have a budget. However, I’m not willing to do it for nothing. I have no […]
Now showing returns with a selection of exhibitions and projects presented via online viewing rooms, social media and other online platforms including a site offering bookable studio visits with acclaimed contemporary artists, the digital version of Yinka Shonibare’s Guest Projects space, and Instagram exhibitions that reference isolation and lockdown.
The emergency response, led by disabled people for disabled people working across the UK’s creative industries, will promote a sustainable future for disability and inclusive arts in the UK through and after the Covid-19 pandemic.
For those down here at the pointy end that haven’t seen it. https://www.theboxplymouth.com/blog/press-release/covid-19-art-commissions
Image: Landcove, Strete, South Devon 50°18’50.5″N 3°36’58.9″W 29.04.2020 “To pay attention to one thing is to resist paying attention to other things […]” How to do Nothing. J Odell 2019. Pain has been demanding my attention lately. Conversely it’s been […]
Drawing on the findings of a-n’s survey and reflecting the views of over 4,000 members, the Covid-19 impact survey report provides robust insights into the emerging impacts of the public health crisis with 93% of respondents reporting that their practice or career has been affected by the outbreak.
Drawing on the findings of a-n’s recent survey and reflecting the views of over 4,000 members, the Covid-19 impact survey report provides robust insights into the emerging impacts of the public health crisis with 93% of respondents reporting that their practice or career has been affected by the outbreak.
Support and advice from across the arts sector, plus wider government and NHS guidance, following the coronavirus Covid-19 outbreak.
I’ve been here highlighting these issues for around six years now. With arts organisations going on about social prescribing, but still my wages to do that are spurious. And of course, I can’t plan any more workshops to clear my […]
My top tips for surviving and thriving online. We’re all at sea with this coronavirus pandemic, and for freelancers in the UK it’s also been a body blow to learn that (at the the time of writing this) our Government has […]
Exploring ideas of materiality and absence through a combination of sculpture, drawing and text.
Within UK universities, visual artists are working across university departments in many different ways ranging from arts and health initiatives, residencies and cultural heritage projects to commissions, teaching and PhD research. Artist Steve Pool identifies some key ways artists are working within HE and considers the value of such relationships to both artists and institutions.
Our regular selection of shows to see around the UK, including an exploration of the work of performance artist, zine-maker, musician, Linder, at Kettle’s Yard, Cambridge, plus the first major exhibition of Steve McQueen’s artwork in the UK for 20 years.
A practical guide for artists on different payment options, sending invoices, chasing payments and dealing with debtors.
Artists and advisers identify key questions to ask to help sift the good opportunities from the mediocre, and the downright mendacious.
