2018: My Year In Review
Are you ready? Are you ready for the obligatory ‘let’s-have-a-recap-of-the-past-year’ blog post? Why not start this new a-n blog with a recap of the last year? In terms of Art, without a shadow of a doubt this has been […]
Are you ready? Are you ready for the obligatory ‘let’s-have-a-recap-of-the-past-year’ blog post? Why not start this new a-n blog with a recap of the last year? In terms of Art, without a shadow of a doubt this has been […]
The London-based Slovenian artist has enjoyed a “madly busy” year, with a heightened profile in the UK year following a solo show at Baltic and a nomination for the Jarman Award.
In the last post, I tried to lay down my problem when documenting my performances. I settled on the fact that the minutiae of details within a proposal document might shed light on how submission into an artistic economy is […]
Five recommended shows from across the UK, including: Martin Creed’s new solo exhibition at Hauser and Wirth, London; Moon Kyungwon and Jeon Joonho’s new film commission at Tate Liverpool; and a retrospective of Margaret Tait’s films at GoMA, Glasgow.
Founded in 2010, Grand Union is a studio provider and project space that supports artistic and curatorial development in Digbeth, Birmingham. This profile includes a video, recorded at Assembly Birmingham, in which director Cheryl Jones introduces the organisation and shares its current strategy for securing a permanent home.
Stryx is a studio, project and exhibition space which forms part of the flourishing artist-led ecology in Digbeth, Birmingham. This profile includes two videos, recorded at Assembly Birmingham, of founder and co-director Karolina Korupczynska introducing the organisation and discussing the challenges of delivering a sustainable project on limited resources.
The Coventry Biennial of Contemporary Art is an artist-led platform that aims to bring critically engaged, high quality contemporary visual art to the city and surrounding area. This profile includes two videos, recorded at Assembly Birmingham, in which founder and artistic director Ryan Hughes introduces the organisation and describes its ambitious journey.
The 2019 a-n Artist Bursaries are now open for applications, with awards of between £500-£1,500 available to a-n Artist and Joint (Artist and Arts Organiser) members wishing to undertake self-directed professional development.
As part of our commitment to supporting artists, we are offering 50+ bursaries of between £500 – £1,500 for self-directed professional development. APPLICATIONS FOR THIS OPPORTUNITY ARE NOW CLOSED.
Earlier this year, Glasgow-based Gordon Douglas was awarded a-n Artist Bursary to create a new website archiving his performance practice. He speaks to Richard Taylor about resilience, the importance of criticality and how arts organisations are future-focused when faced with austerity.
Studio provider and project space Paradise Works was founded in April 2017. Straddling the Salford-Manchester border, the organisation hosts 30 artists and presents an artist-focused programme of exhibitions, residencies and events. This profile includes a video, recorded at a-n’s Assembly Salford, of founder Lucy Harvey introducing the organisation and discussing its aspirations to be a sustainable presence within the artist-led ecology.
Islington Mill in Salford is an evolving creative space, arts hub and community that provides studios, hosts residencies, and includes a peer-led art school and artist-run B&B. This profile includes two videos, recorded at Assembly Salford, of Islington Mill founder Bill Campbell introducing the organisation and discussing future plans.
Based in a former school in Nottingham, Primary supports artistic production through its studio provision, residencies and a public programme. This profile includes two videos, recorded at Assembly Salford, where director Niki Russell introduces the organisation and shares its lengthy journey to securing a space.
S1 Artspace in Sheffield is a member-led studio provider and exhibition space, running since 1995. This profile includes a video, recorded at Assembly Salford, of S1’s Stephen Escritt outlining the organisation’s plans for a major expansion at the Grade II* listed brutalist Park Hill estate.
Initiated in 2010 by two fine art graduates, The NewBridge Project in Newcastle upon Tyne provides studios, a gallery, project spaces and a member-led professional development programme. This profile includes two videos, recorded at Assembly Salford, of former director Charlotte Gregory introducing the organisation and discussing how during a period of expansion the project has stayed loyal to its member-led ethos
Founded in 1972, Acme Studios has grown to provide around 600 studios for London-based artists. This profile includes two videos, recorded at Assembly Salford, featuring Acme’s Head of Projects & Communications Jack Fortescue introducing the organisation and outlining its unwavering commitment to securing long-term, affordable artist studios.
For the final Assembly event in the current series, a-n was in Cardiff for a day of discussion and debate around how to survive as a creative practitioner. Trevor H. Smith reports.
For the latest in our ongoing series looking at the visual arts across the UK, Cardiff-based artist Freya Dooley provides a tour of her home city’s lively and supportive scene.
In Brief: news briefing featuring national and international stories including: Rio museum destroyed by fire opens temporary exhibitions’ space, Talbot Rice in Edinburgh announces artists to take part in its inaugural Residents Programme, plus Mayor of London Sadiq Khan launches major public art project highlighting overlooked women from London’s history.
At the conference ‘Pivotal Moments: Professional Development Models for Mid-Career Artists’, staged by London Creative Network (LCN) in association with a-n, participants including artists Keith Piper and Erica Scourti, and Wysing director Donna Lynas discussed career development and the importance of institutional support for artists. Lydia Ashman reports.
The recent ‘Hope to Nope’ exhibition at The Design Museum ended in controversy earlier this month when artists and designers removed their work in protest at the museum hosting a private hire event by an arms manufacturer. One of those activist groups to remove their work was the artist-run organisation Keep It Complex, who share here what they learned from the experience.