14th Venice Architecture Biennale: Lost in Modernity?
A Review of the 14th Venice Architecture Biennale by Vassiliki Tzanakou Curator and Political Scientist & Israel Hurtado Cola Architect & Writer
A Review of the 14th Venice Architecture Biennale by Vassiliki Tzanakou Curator and Political Scientist & Israel Hurtado Cola Architect & Writer
This year’s engage International Conference takes place in Leeds in November, and is set to explore how innovation and risk taking in gallery education can often run parallel with a need to disrupt, subvert and ‘unsettle’. We speak to conference programmer Michael Prior to find out more.
Private View Wednesday 8 October 2014, 6 – 8pm Exhibition runs 9 October 2014 – 28 January 2015 Eighteen 2014 graduates from University of Middlesex and Goldsmiths have been selected by curatorial partnership Day+Gluckman (Lucy Day and Eliza Gluckman) to […]
What are artists’ associate programmes and what do they offer within the broad landscape of artists’ professional development? What should artists consider before applying? Based on extensive research into sixty arts organisations across England, Scotland and Wales, this guide by Dany Louise offers artists help in thinking through the various options available to them.
MODEL is a new artist-run gallery in Liverpool that aims to provide a flexible and experimental platform for artist-led activity in the city. Laura Robertson pays a visit and speaks to its three founders.
Sarah Perks, Cornerhouse/HOME’s head of visual arts, has taken up a new professorship at Manchester School of Art which aims to strengthen collaboration between academia and the arts in the city.
A new art colony and residency retreat, initiated by artist and priest Father Paul West and curated by Aid & Abet, is being pioneered in the Fenland market town of Wisbech.
Much of my research is currently related to the relationship between the object, image and text, in particular the way the Internet has influenced and perpetuated translations between different media formats. Previously, I discussed how the ephemeral, narrative and networked […]
Post 7 Hilary Crisp – 22/May/2014 On arriving, Hilary had really usefully pre-planned and researched my on-line presence and website, making notes with suggestions and tips. When talking and discussing the work I found that having already discussed the work […]
Currently Reading: Lost & Found by Mark Wilsner, Art Review #378, July-August 2014 (p5-7) Mark Wilsner analyses three ‘mythical narratives’ of lost/found artworks. Firstly he examines the subtext and misrepresentations of the mass media reportage of art works – specifically […]
London can be an expensive place to be an artist, but what are the advantages of basing your practice outside the capital, and how are those that choose to stay in London making it work? Pippa Koszerek reports from Standpoint Gallery’s recent MAP Symposium.
A question that I find relevant to both my personal practice and my expanded practice is; do varying modes of sustainability and organisational structures effect the output/content of artist and curator led projects? Now two-thirds through our ‘go and see’ […]
This year’s Liverpool Biennial is the first that director Sally Tallant can really call her own, having arrived in Liverpool only a few months before the 2012 festival. Now with a new, earlier July start date and a refreshed approach, Laura Robertson finds out what has changed at the UK’s biennial of contemporary art.
Asia Triennial Manchester 2014 returns for its third edition this September, with the theme of ‘Conflict and Compassion’.
As the degree shows season gathers pace, we take a trip to Dundee for the Duncan of Jordanstone College of Art and Design show.
Starting Re:view process Post One […]
Various, Glasgow
12 – 16 April 2014
OSR Projects, West Coker, Somerset
24 January – 9 February 2014