The key finding of this study reveals that shockingly few individual artists apply for funding in their own right, and even fewer are successful. What this means is that there is little direct funding being given to artists to pursue and develop their own projects, under their own control – under 20% of available funding for the visual arts in England, 14% for Northern Ireland and around 18% for Scotland and Wales in 2009-2010.
The Project Arts Centre, Dublin
8 July – 20 August
Current professional development support schemes for visual artists in the UK.
Quad, Derby
28 May – 31 July 2011
17th September – 4th December, various venues, Plymouth UK VIA presents a nomadic model of working as a curatorial framework. The project questions how artist-led practice can thrive in ‘in-between’ spaces, and subsist/grow alongside existing structures created by institution or […]
I’m very very busy at the moment; a busy-ness that seems to primarily consist of impotent, stress-driven flailing & stasis. On Saturday afternoon I took some time off & went to see some art. I feel like I’ve really neglected […]
Janey Muir graduated from her MFA at Duncan of Jordanstone College of Art and Design in September 2010. A year on, Richard Taylor steps in to conversation at a pivotal moment in her work’s development, through a new Project blog on Artists talking.
Grand Union, Birmingham
28 May – 30 July
the project has taken a couple of turns from external influence that i would not have anticipated. not even in my analysing of the risks of the project could i ever have anticipated what happened. i’m not able to talk […]
MK Gallery, Milton Keynes,Bucks
8 July – 18 September 2011
After the assessment and the Pecha Kucha presentations that a number of us did recently I have been reflecting on where my practice is and what form my MA show could take. Up until now, my interests, at least within […]
Project Space Leeds
28 April – 6 August
UCL, London
16 – 22 June 2011
As an increasing number of publicly-funded arts organisations seek out new models and initiatives for support, Artsway is providing a valuable platform to debate and explore what already exists, raising the issue of how longer-term support of artists can be maintained and increased in a period of arts austerity.
UCA Canterbury, Canterbury
20 May 2011
Jac Mantle writes critically about art. In 2010 she reviewed the Glasgow School of Art degree show, she has contributed to a-n Reviews and writes for The Skinny in Scotland. Richard Taylor catches up with her to find our more about her reviewing process and ways to follow suit.
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they collaborate with. Running in its current format since 2008 we now have a rich archive of over thirty articles covering hugely varied projects. Here, some select quotes offer highlights and insights into the nature of collaboration.
In December 2010 the Arts Council of Wales announced its new portfolio of revenue clients. From 116 existing clients more than thirty were lost. Five months on we asked the sector what the impact has been and how the visual arts in Wales has reacted, and what England might anticipate following last month’s ACE announcements.
Information for upcomng show – Leo Fitzmaurice An exhibition of work as part of Standpoint Futures Residency Program 2011 24 March 2011 12-8pm; artist’s talk and drinks at 6.30pm25 March 2011 12-6pm Otherwise known for his bold installations and sculptures […]
Well I’ve had a very busy week. After a successful interview for a studio at S1 (see last blog) they offered me a studio (yay!) and I was really surprised how big and fantastic the studio was. As it was […]
A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In this article, artist David Cotterrell and Projects Director Carolyn Black reflect on the realisation of a unique and demanding work for the Forest of Dean Sculpture Trail.
Tenderpixel, London
13 January – 3 February