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Glittering prizes
A plethora of shortlists and prize-winners have recently been announced, making April a bonanza prize month.
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Re-mixing Africa
This spring, as part of the Africa 05 arts festival, a number of artists from around the African continent are in London making new work for various cultural institutions. Paul Glinkowski introduces the work of five of them.
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Somewheretogo
Trinity Technology College, Warwick
11-23 February
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Art Gene
Art Gene combines a residency programme with links with education and plays an active part in local regeneration.
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Green Close Studios
A small collective workspace in a converted barn in rural Lancashire.
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S1 Artspace
S1 Artspace provides studios for artists whose work is both contemporary and critically engaged.
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Research calls
Finding the Common Threads is a two-year study being conducted by the Centre for Creative Communities with support from Arts Council England, London and Deutsche Bank. With London as its focus, the project is investigating some of the issues funders […]
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Occupation Studios
Occupation Studios is a case study in cooperative survival in the urban regeneration landscape.
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Out of the Blue
Out of the Blue has thrived through establishing a diversity of activities and income streams.
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Dorset Art Weeks (DAW)
DAW adapted a successful model of an open studios event for a rural location.
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Furtherafield
Temporary studios can be a useful option for creating project-specific work.
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FusionARTS
How a partnership with their local university helped FusionARTS secure studio premises.
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Tales of two cities: South Africa
Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.
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CRATE
CRATE successfully accessed economic development and regeneration funds to buy a building.
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Quo vadis: Introduction
Chris Brown of g39 and Louise Short of Station, devisors of Quo Vadis, reflect on the motives, intentions and themes of the event.
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Changing States:
Contemporary Art and Ideas in and Era of Globalisation
Published by inIVA
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Quo Vadis: Surfing the bore
Paul Glinkowski on the circumstances around cultural barriers and how they can be breached or transformed.
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Curating now
Gordon Dalton reports on the Curating Now symposium at the Irish Museum of Modern Art hoping to find the future of curating in museums.
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Whose island?
Devised by Grizedale Arts, ‘Romantic Detachment’ features artists from the UK and the USA. Brian Dewan’s text forms part of his performance/installation for the exhibition.
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LAN2D: beyond landscape
Crossley Gallery, Dean Clough, Halifax
6 November – 9 January
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PACE
Jane Watt profiles PACE, public art commissioning agent for Royal Aberdeen Children’s Hospital.
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Guide
Intangible, inflatable, irreducible
Lucy Kimbell explores the value of artists’ work.
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Stroud Valleys Artspace
More than just a studios building, Stroud Valleys Artspace (SVA) represents a hub for artists in the area.
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Work(space) in progress
Studio-based artists have been made vulnerable by the recent property boom as run-down former industrial buildings attract developers with an eye for a lucrative conversion. Some studio providers though, have managed to stay put and in some cases have moved on to better premises. Paul Glinkowski offers this progress report on artist-led studios projects in Leeds and in Stroud.
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Susan Collis
I’m drawn towards work that offers two opposing features or truths.