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Sofie Sweger reports on ‘Space/Traffic’ an international symposium of artist-run spaces and organisations that took place in Hong Kong last December.

David Butler discusses live art support structures and their relevance to other arts sectors.

A recent forum in Dundee addressed issues surrounding curatorial practice and the relationship between artist and curator. Rob Hunter attended and reports back.

Sophie Scott reports on her experience of the different attitudes and approaches to education initiatives in the arts in the USA.

The creation of small-scale saleable works is a strategy that many artists may have considered. Here, Brigid Howarth talks to two artists with successful product lines that sit alongside their main practice.

Roxy Walsh, recipient of the Abbey Award in Painting, gives an overview of her time at the British School at Rome (BSR).

Abigail Branagan discusses the development of this innovative platform for contemporary design and explores its value to exhibitors.

Contemporary re-enactment, art event or memorial? David Butler gives an insider account of Jeremy Deller’s ambitious Artangel Times commission.

In the last feature in this series, the focus is on artist Anatoly Osmolovsky living and working in Moscow.

Kate Tregaskis discusses recent seminars exploring education work involving artists and the effect this has on artists’ practice.

You’ve done the research, and have got three or four possible sources of funding for a new project. How do you put in an application that stands out from the pile: what gives your approach the edge?

Directors and committee members of The Landscape and Art Network expand on the cross-disciplinary nature of the organisation and its remit to defend and improve our environment.

Graham Taylor gives a personal account of his experience of setting up an educational initiative during his time living in Africa.

This month Kate Fowle has been talking to Christopher Cozier about his experiences as an artist in Port of Spain, Trinidad.

Brigid Howarth investigates the world of arts funding and reveals a network of funding routes available to emerging artists.

With a breadth of approaches to finding the perfect workspace, Brigid Howarth talks to artists about their different needs and experiences and explores a variety of studio set-ups.

Wendy Murray gives the lowdown on support structures and organisations for artists in the Netherlands.

Showing abroad is not necessarily just another chance for an artist to exhibit their work, it can also be the start of future opportunities for collaboration. For myself, this couldn’t be more true than my participation in ‘VANE Export’, an […]