Gallery, dealer and agent agreements
The following checklist by Sheena Etches and Nicholas Sharp covers many of the issues that arise when artists enter an arrangement with a private gallery, dealer or agent.
The following checklist by Sheena Etches and Nicholas Sharp covers many of the issues that arise when artists enter an arrangement with a private gallery, dealer or agent.
This checklist by Sheena Etches and Nicholas Sharp covers many issues relevant to small-scale private and public art commissions, with questions to consider and further explanation of issues arising in the notes.
Last year, artist and curator Emma Sumner took a research trip to India which saw her visit an extensive network of organisations at the heart of this vast country’s contemporary art scene. Here she highlights three of them and explores what can be learnt from their approach to art and funding.
The Curating the Campus symposium, held to mark the launch of the University of Leeds’ Public Art Strategy, brought together speakers from across the UK to discuss commissioning and presenting public art on campus. Amelia Crouch reports.
Susan Jones, a-n’s director for 15 years, receives an MBE in the Queen’s Birthday Honours List.
Last year for expedient reasons, mainly to make my day job more challenging, I developed an artist residency programme within a product design research centre Makers Using Technology.
In addition to notions of DIY and self-publishing, Nick Thurston’s talk (which was discussed in last week’s blog) also explored themes of media theory and digital distribution. After detailing his recent exhibitions and publications, Thurston continued to contextualise his practice […]
As I heard back from Millie to say that I could come in Tuesday 21st I spent Monday preparing a presentation about myself as well as a brief overview of the project for the children. After being at university for […]
As I heard back from Millie to say that I could come in Tuesday 21st I spent Monday preparing a presentation about myself as well as a brief overview of the project for the children. After being at university for […]
As I heard back from Millie to say that I could come in Tuesday 21st I spent Monday preparing a presentation about myself as well as a brief overview of the project for the children. After being at university for […]
Former a-n director Susan Jones will be sharing evidence gathered through a-n/AIR’s Paying Artists campaign over a hearty lunch of vitamin-rich soup at Stoke-on-Trent’s AirSpace Gallery, the latest event in a series of talks and workshops.
Thesis writing continues… The chapter and chapter sections are in place and have notes and references that are becoming sentences (or half sentences) that are becoming paragraphs, and are being moved around, expanded and deleted. I’ve not updated much about […]
As part of the Paying artists advocacy materials I am researching examples of openly-published exhibition policies on the websites for publicly-funded galleries. I have come across some – for example fabrica.org.uk/info-for-artists/exhibiting/ and www.g39.org/cgi-bin/website.cgi?place=infomation that provide some useful information. I thought […]
Standpoint Gallery’s Mapping Art Practice Symposium invites practitioners and key thinkers to discuss the geographical and economic implications of art practice in the UK.
PAYING ARTISTS II: THE CAREER TRAJECTORY The problem of not paying artists is much bigger than simply artists being out-of-pocket. It affects the artist’s whole career trajectory, and creates a massive pool of stagnation that ends up in a shocking […]
PAYING ARTISTS Imagine turning up to work, putting in the hours, doing such a good job that you are roundly admired, patted on the back, congratulated for your work. Imagine the people talking about you, how good you are in […]
#PayingArtists Part 2 Now I must admit that, like any artist, I’ve done my fair share of work for free, enticed by the promise of “good exposure” and “looking great on my CV” etc… And yes, maybe, perhaps this was […]
A new report published today by the researchers behind last year’s Rebalancing our Cultural Capital, reveals that Lottery funding of the arts in England is largely benefiting the wealthy to the detriment of the country’s poorest and least arts-engaged communities.
Intense time working on Grants for the Arts application. We had stalled for a while, waiting to hear Torre Abbey’s response and are now rushing to submit to keep to a self-imposed deadline which gives a coherent timeline to the […]
After six months of financial chaos, stress, and mostly chaos, things have started to return to normal, after my prodigal son returned home again, escorted by the police. In short, his living situation was atrocious, never mind the fact that […]
A new report urges those working with arts and culture to rethink their contribution to a vision of sustainable development that benefits the whole of society. Report co-author, Mark Robinson, introduces the provocation and identifies three vital ‘practices’ that can only be achieved by collaboration between artists, institutions and an intelligent funding ecology.
AIR Council welcomes three new artist members to its ranks as the a-n/AIR Paying Artists Campaign gathers momentum.
In the final questionnaire in our series featuring the thoughts and experiences of artists and other arts professionals, a-n’s Director reflects on how 2013 was for her and the organisation.
i like infographics! this startling revelation came to me on the Facebook channel. there i was … sipping tea thinking about research made yesterday when low and behold … infront of me was a post by susan about the infographic […]
Part 2 Don’t Panic: Arts in Austerity Symposium (my notes) The next session was a panel discussion chaired by Ed McKeon, with panelists: Pauline Tambling – Creative & Cultural Skills Susan Jones – a-n Abigail […]