How to negotiate an exhibition
A guide for artists and arts organisers to creating a mutually-beneficial relationship.
A guide for artists and arts organisers to creating a mutually-beneficial relationship.
Launched in 2006,Turning Point is a national ten-year strategy for the visual arts. A network of regional Turning Point groups has since been emerging, each charged with “strengthening the visual arts infrastructure”.
Katharina Gruzei is one of the artists in Linz to have been awarded a studio for one year at Salzamt Atelierhaus over 2009/2010. Born in Klagenfurt, Carinthia in 1983, she has been based in Linz at the University of Arts in Linz since 2004 and will finish her current studies with a postgraduate qualification this year. She also spent six months in 2006 studying at UCSB, Santa Barbara, California and a year in Berlin at the University of Fine Art. Although still studying, Gruzei is already represented by Charim Galerie, and has shown at both their galleries in Berlin and Vienna. Gruzei has exhibited widely, most recently at Anadoma Filmfestival, Charim Ungar Contemporary Berlin, in No Sound of Music at Salzburger Kunstverein and in a group exhibition of contemporary Austrian photography at the Museum of Modern Art, Carinthia. She has taken part in numerous workshops and has delivered a lecture at Stanford University.
A selection of articles and other content dealing with artists’ income:
Tate Britain , London
3 February – 26 April 2009
It has slowly been filtering into my mind that I should be more disciplined in my approach to life and in particular my art practice. Making decisions driven by research interests and artistic integrity seem so difficult to make sometimes […]
Consideration for the environment along with building community engagement feature within some recent projects organised in Yorkshire, Scotland, Wales Northumberland and Derbyshire.
Mark Gubb asks public art commissioners and consultants their views on how they select artists for commissions and what they expect artists to prepare for interview.
Lauren Healey discusses Gallery Glues relationship to NAN.
Updated for 2008 Research papers, Indexing intelligence is a listing with live weblinks of accessible ‘facts and figures’, research studies, conference reports, publications and other resources that are pertinent to all those working in the visual arts, compiled and edited […]
The continual shaving of UK arts budgets, cuts in mainstream grants programmes linked with escalating overheads and news of an ever-deepening economic downturn arent good news for visual artists who depend largely on winning freelance contracts and getting good responses to their project proposals.
Unconvinced student in dissertation dilemma Well its been two weeks now and I'm still writing my essay. In the meantime we students have received some "guidance" since I started writing, which as you can expect is completely ambiguous. We were […]
Text-only version of a-n Research paper: Art work in 2007 with live weblinks.
Established in 1986 in Manchester, Chinese Arts Centre celebrates its twenty-first birthday this year.
Advice from artists on assessing opportunities
With inflation about to hit a ten-year high1, to what extent can the practices of artists nowadays resist the pressures of the real world?
Over 4,300 practising artists are already benefiting from AIR
Debra Savage’s case study-based research into the realities of professional artistic practice.
This month’s Opportunities focus on international residencies, will sit permanently on www.a-n.co.uk1 as a signpost to regular international residencies that have regular deadlines. Artist Michael Cousin2 has researched this focus alongside his busy practice as an artist, and offers some […]
As a former teacher now working for the past five years as a gallery educator and also a freelance artist I have been interested to follow the a-n proposals on artists fees.
Paul Matosics letter (June issue) raises important issues for all artists for whom operating professionally is vital.
The Comment article published in a-n Magazines June issue raises a number of points that need to be addressed.
Outer space investigates the interface between artists’ practice and the socio-political domain. Devised and edited by Esther Salamon, contributors include Chris Batt MLA, Paul Collard Creative Partnerships, Jonathan Davis CABE, David Lammy MP Minister for Culture, Graham Leicester International Futures Forum and Tom Shakespeare.
Artist’s jobs and opportunities 2003 – 2005
Notions of sharing knowledge and experiences both good and bad are inherent within those who seek continuous improvement and development in their artistic practices.