Negotiating with Confidence workshop – Portsmouth
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Archive
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Venue:
Aspex Gallery -
Date:
March 23, 2017 at 10:00 AM -
Location:
South East England
Sets out how a-n The Artists Information Company ensures proper and fair payment both within the company and across its programmes and operations.
In February 2016, London-based artist Emma Hart won the biennial Max Mara Art Prize for Women, the prize for which includes a six-month residency in Italy and a solo show at Whitechapel Gallery in 2017. She looks back on a year in which she “almost cheered up”.
a-n’s Executive Director Jeanie Scott reflects on an incredibly busy year for the organisation that has seen the publication of the Paying Artists Exhibition Payment Guidance, wide-ranging support for artists through a-n bursaries, and membership reach a record high. And, despite an increasingly messy global situation, says there’s much to look forward to in 2017.
Newcastle-based artist Kathryn Hodgkinson believes that the city council’s planning decisions are having a detrimental effect on the area’s creative community. In the wake of the recent decision to demolish the creative space Uptin House to make way for ‘yet another block of student flats’, she argues that local authorities need to embrace the true value of artists.
Back to the set design course at St Martin’s. This intensive week of study at the beginning of August was fabulous – from start to finish. I learnt so much – and I am still learning as I continue with the tasks […]
Under the banner ‘Whose Art? Our Art!’, this year’s engage International Conference in Liverpool explored gallery education through the lens of art activism with two days of speeches, discussion and debate. Laura Harris reports from the city.
The arts community in Scotland and beyond has responded to the shock announcement that Edinburgh’s Inverleith House gallery is to close, with a petition calling for the decision to be reversed.
This week’s selection includes figurative work in Eastbourne, cyanotype prints in Bradford and drawing in London.
A weekly briefing featuring national and international art news, including: Last art history A-level axed, London’s free art school moves to Margate, and exhibition on slavery causes uproar in Paris.
The School of Life is dedicated to exploring life’s big questions: How can we fulfil our potential? Can work be inspiring? Why does community matter? Can relationships last a lifetime? Using ideas from the fields of philosophy, literature, psychology and […]
Changsha, Zhangjiajie, Fenghaung, Guilin, Yangshou and Kunming What the hell am I doing? This is absolutely mental! I’m alone and getting lost the whole time. I didn’t think I really believed in God but every time I get lost, pray […]
A recent advert by Sainsbury’s in Camden asked for an artist to ‘volunteer their skills’ to refurbish the branch’s staff canteen, with the resulting social media storm prompting press articles and an apology from the supermarket. a-n Executive Director Jeanie Scott considers what the incident says about the barriers and misconceptions artists face.
Established by a-n as an integral part of a-n’s Artist membership for practising visual and applied artists, AIR identifies and explores issues that impact on artists’ practice.
The Walking Reading Group (TWRG) is a project that facilitates knowledge exchange in an intimate and dynamic way through discussing texts whilst walking together. For our a-n Go & See bursary, we visited Scotland and Cornwall to explore possibilities for developing the project.
If you are an artist or arts organisers who earns income from a variety of sources, self-employment is usually a good option as it enables you to work for many different people and perform more than one type of work. This guide by financial services experts Counterculture explains what self-employment means, how to register as self-employed, and how and when you will need to pay tax.
A new term, new module and fresh start. The feedback I received from last term was brilliant, helpful and it’s always a bonus having a distinction to end the term with; regardless of the grade it always gives you that […]
Enables artists to calculate an individual daily rate for services they supply based upon their unique circumstances and overheads and to prepare quotes when pitching for freelance work.
Getting paid a fair fee is not suggestive of a revolution. So why does it sometimes incur resistance, both from those who pay and from ourselves? This guide by Rod McIntosh introduces ideas towards getting paid what you want and indeed deserve.
I had been looking forward to this tutorial with Judit as she was present during my presentation about my practice. I also knew that she was a curator particularly interested in performance so any insight or guidance could prove to […]
Artist and AIR Council member Joseph Young attended the recent Europe-wide IAA conference in Pilsen, Czech Republic, where he was speaking about the Paying Artists campaign. He reports from the home of Pilsner lager on three days of discussion, debate and far too many procedural matters.
This year’s Arts Council England and British Council-supported No Boundaries – billed as a symposium on the role of arts and culture – took place over two days at the end of September at Watershed in Bristol and HOME, Manchester. Featuring talks and discussion from an international cast of contributors, it once again had a live link between each venue and was also live streamed. Artist Julie McCalden reports from Bristol, while arts consultant Mark Robinson presents a view from the rainy city.
Artists, gallerists and curators offer tips and guidance on how to price work when exhibiting in group shows, selling at open studios, or applying for open competitions.
This guide by Sheena Etches and Nicholas Sharp looks at how to handle contractual disputes, and how to terminate or re-negotiate contracts.