Reflection 26/04/21: These 1-1’s were very useful in the fact that they were both male responses to my work. I discussed with Jane on 23/04/21 the male reception of these works is just as successful as the other responses I […]
Working in our individual studios we meet three times in the day. Here are our individual reflections and thoughts from the day’s actions and events. Louisa Chambers: The collaborative walks this morning between Berlin, Lincolnshire, Glasgow, Nottingham, Belfast and Stockholm […]
Carrying 25 Lemons in my t-shirt. This close cradling felt as though I had responsibility for the fruit’s safe transportation, emphasising the care I took in carrying them so as to not drop any. The lemons formed bulges in the […]
David Hill Gallery, London
30 April – 30 July 2021
26/03/21 we had a session on our exhibition proposals, see initial notes from session below. In relation to this module we have to create some installations or drawings/collages. I was really interested in creating both drawings, maquette and actual installations. […]
Virtual Artist Residency with Louisa Chambers (UK), Edy Fung (IE/SE), Tracy Mackenna (SCO/IT) & Edwin Janssen (NL), Danica Maier (USA/UK), Michelle McKeown (IE/UK), Stefanos Pavlakis (GR/DE)
Exploring an artistic process and a connection with nature.
Before going to uni to work on the Riso machine, I had researched The People of Riso and came across Lol Gallimore’s Ink Spill, see below. The pink pink and yellow caught my eye, “Lol aimed to create a sense […]
From my exploration of Sweet Tooth Colour, Jane questioned in my 1-1 last week, what would To Bite look like in black and white. I felt tempted to try this the night before I submitted for my group crit 24/03/21 and after […]
Dear all, We are delighted to invite you to the first Libre Graphics Club event on 29/03/21 from 6:30-8pm GMT. Looking forward to seeing you there! To register, please follow this Eventbrite link: https://www.eventbrite.com/e/libre-graphics-club-pilot-intro-event-tickets-147232591645 Come join us and help co-create […]
I throughly enjoyed Catinca’s talk of her performance work exploring technology and “how our vision has become scanning machines like CCTV cameras”, this reminded me of Macleans Make Me Up and her use of 24/7 surveillance. “Tunnel vision and polluted […]
I wanted to talk about repetitive actions in performance. The act of repeating something so simple seems futile. Doing the same thing over and over again and expecting the same result is deemed pointless but in response we get a […]
This action was a preparation for the performance ‘Reel of Litmus Paper’. I tattooed the soles of my feet using homemade iron oxide tattoo ink (powdered ore), the recipe of which interpreted from ancient tattooing process. The use of this […]
MISC.©R-HR2005-2023 Contemporary Art Critical Theory R-H Robinson 2012 Bookplan #4: Contemporary Fine Art and Society Art Practice and Theory Postmodern aesthetics supports the industrialization of culture as commodity- the use of audience and spectacle key to the production and consumption […]
Dorothy Cross remembers the freedom and energy of the 1990s, travelling, meeting other artists and making ambitious site-specific work.
Yinka Shonibare outlines the development of his work in the 1990s, including his “big jump from painting to costume”.
Richard Billingham reflects on the turning points in his photography and experimental films, which he began making during the 1990s.
Up Close & Pink But Up Close – I wanted to redirect my practice back to these pieces see below. These were something I started to work on before Congruous exhibition and kept on hold while I completed the exhibition. […]
(microsoft teams) I was mainly focusing on the publication this week. The reason why I want to prioritise the publication now is that I can get it printed soon, leaving enough time to film and photograph the publication. I’ve based […]
Thoughts of a repulsive side to the work arose from group crit 23/02/21. Reflection 18/04/21: And even more so from my 1-1 with Matt on the 15/04/21 – violence, destruction and abjection. The imagery of individual breasts being in a […]
