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Research paper
Unacknowledged legislators?
Manick Govinda on the relationship between artist and society.
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Research paper
Future forecast: Outcomes and issues: Climate change
S Mark Gubb on the economic and ecological implications of artists’ practice.
Blog Post
Untitled blog post from "TEN MONDAYS"
ELEVENTH MONDAY – AFTERWORD People came to see the work on the Thursday and Saturday open days for TEN MONDAYS and I had several interesting conversations including one about repetition and ritual. This has extended my ideas about how to […]
Blog Post
Untitled blog post from "Standpoint Futures Residency Programme"
ts Beall began her residecny at Standpoint on 16th May, with her public presentation of work taking place on 16th – 17th June which included an artist talk. Plese see below for further details. t s Beall – final residency […]
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Feature
Big picture – 2011 July
Phoebe Cummings, Flora, detail from the floor of the residency studio, Victoria & Albert Museum, unfired clay, 2010. Photo: Sylvain Deleu
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Archive
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Castles, stations, streets and stadiums
A look at current projects and commissions taking place in unconventional settings.
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Archive
News archive
Culture cuts
Report from the recent conference held in London.
Blog Post
Untitled blog post from "Post Industrial Revolution Gdansk residency"
i have been doing a lot of thinking since coming home, mainly about residencies. so i thought i would try and formulate some sort of collection of thinking about it all & then thought this would be the best place […]
Blog Post
Untitled blog post from "The residue of an unspecified ritual and journeying to no end"
June 2011 Black Isle Residency Funded by RSA Residencies for Scotland Bursary in association with Creative Scotland and the Cromarty Arts Trust As the bus made its way up the winding highland roads my face split into a grin. I […]
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Exhibition
Sum Parts
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Venue:
Acme Project Space -
From:
June 10, 2011 -
To:
June 26, 2011 -
Location:
London
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Research paper
Ladders for development: Impact of Arts Council England funding cuts on practice-led organisations
New evidence exposing, quantifying and discussing the likely impact on the visual arts of Arts Council England’s decisions on fifteen previously Regularly Funded Organisations (RFOs) visual arts organisations unsuccessful in their NPO application. It shows that a disproportionate number of artists’ membership and development agencies and practice-based organisations lost core funding, despite ACE’s aim of creating a balanced national portfolio and makes recommendations for sustaining their work as part of a strengthened arts ecology.
Blog Post
Untitled blog post from "Who is Anna Reynolds ?"
An Introduction WHAT AND WHY started this? WHAT- QANTAS Foundation Encouragement of Contemporary Australian Art Award gives me travel and cash to kick start career and provide amazing international experiences. HOW – After winning the QANTAS award I started plans […]
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Artist
Ceangal
Ceangal is a collaborative project between Lynn Bennett-Mackenzie (Scotland) & Somu Desai (india) to use social networking to create a series of residencies which will bring national & international artists to the Highlands of Scotland where they will create original […]
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News archive
Beyond the commission
As an increasing number of publicly-funded arts organisations seek out new models and initiatives for support, Artsway is providing a valuable platform to debate and explore what already exists, raising the issue of how longer-term support of artists can be maintained and increased in a period of arts austerity.
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News archive
International relations
Supporting the international activities of artists and arts organisations is a key function for many national arts funding agencies. In order to investigate this area of arts policy and identify key issues affecting the programs and priorities of such agencies, the International Federation of Arts Councils and Culture Agencies (IFACCA) conducted a worldwide survey in English, French and Spanish, the results of which have been analysed and supplemented by other research and presented in a report.
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Feature
Big picture – 2011 June
Ben Ashton, At Home with the Ashtons (detail), oil on board, wooden structural installation and mirror, 2011.
Blog Post
Untitled blog post from "Spike Island"
Before continuing our journey, we should stop to point out the multiple talents of our host John W. Fail, who in spite of being named John Will Fail, is currently: Director of Ptarmigan, founder of Cenotaph Records Cenotaph Records and […]
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Untitled blog post from "Flying the Cote"
The first video piece combines digital imagining with light reflections and manipulated sound to create a haunting experience of the past inhabitants reawakening and escaping. This was created working with live doves. The second piece shows the images of live […]
Blog Post
Untitled blog post from "Flying the Cote"
The first video piece combines digital imagining with light reflections and manipulated sound to create a haunting experience of the past inhabitants reawakening and escaping. This was created working with live doves. The second piece shows the images of live […]
Blog Post
Untitled blog post from "Spike Island"
Friday 13th May Private-view at Oksasenkatu11 Gallery This evening we visited the Private view of Silent Wishes at Oksasenkatu 11, an Art exhibition and silent auction in aid of disaster relief fundraising for Japan. Oksasenkatu 11 are an artists run […]
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Profile
Nida Art Colony: a testing ground for ideas
For recent art school graduates determined to travel past the shackles of debt, a residency is the way to meet fresh faces, exchange ideas and practice with artists from other countries. Fiona Flynn, from Chelsea College of Art, fills us in on Nida Art Colony in Lithuania and its residency programme.
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Profile
Liverpool Art Prize
Lauren Healey interviews the artists shortlisted for the Liverpool Art Prize about making work, support structures for their practice, and their reasons for basing themselves in the North West.
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Research paper
Changing face of artists’ employment
Explores the affect of the economic recession on the livelihoods of artists in terms of access to employment and career opportunities and raises concerns about how artists’ practice is likely to fare in this period of arts austerity. [HTML format]
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Aid & Abet
Last month Cambridge saw the launch of a significant new artist-run space, Aid & Abet. Artists Sarah Evans, David Kefford and CJ Mahony discuss how the project has developed and how their relationship has graduated from being fellow studio holders to a collaborative working group.
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New vision for Scotland
Launched in March, Creative Scotland’s first corporate plan presented an ambitious vision for the nation’s arts, culture and creative industries. This is backed by core Treasury financing of £35.5m with £14.5m of Scottish Government funds for specific initiatives, unspent reserves from the interim between Scottish Arts Council/Scottish Screen and Creative Scotland, some lottery funding back after diversion to the Olympics and reduced overheads due the merger that included a 30% staff cut.