As a former teacher now working for the past five years as a gallery educator and also a freelance artist I have been interested to follow the a-n proposals on artists’ fees.
Aimed at public sector arts employers, commissioners, consultants and arts trainers, addresses the context for fees and payments for artists’ residencies, workshops and community commissions. Download pdf [Size 497KB]
The unfairness of age restrictions on art competitions and opportunities for artists has been aired in the pages of a-n Magazine over many years.
Unique sites along Nottingham’s River Trent are a focus of a series of site-specific performances, installations and artworks.
Chinese Arts Centre is hosting Vital 06, an international festival of live art in Manchester to raise awareness of the diverse, exciting and challenging work being made by artists of Chinese descent from across the world.
Coed Hills Rural Artspace, Vale of Glamorgan
2 July – 1 October
Wysing Arts, Cambridge
7 July 2006 to 8 August 2007
Emilia Telese describes Icelandic solutions to artists’ interaction.
The Lightbox, the new gallery and museum currently under construction in Woking, Surrey, is pioneering an innovative mental health and art project that aligns the history of this sensitive and often misrepresented area with current day attitudes. Artist Rachel Gadsden, […]
Jane Watt outlines the core strengths of NAN and looks to the future.
Hannah Firth will be the Curator for Wales at the Venice Biennale of Art 2007, joining the team headed by Michael Nixon.
What I like about being an artist
June marks the completion of a-n’s 25-year programme of research, debate and publishing.
The Comment article published in a-n Magazine’s June issue raises a number of points that need to be addressed.
A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.
A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.
Despite the fact that more people than ever before are going to galleries, the upsurge of festivals and public and the willingness of foreign collectors to buy British art, it’s clear from talking to artists that their bank accounts are in as dire a state as they’ve ever been.
Arnolfini
2 February 2006 to 2 February 2006
Qube, Oswestry
28 February – 25 March
I am writing to thank you for informing me I have won a free one year subscription to a-n. [See ‘Survey winners announced’ on the letters page of last month’s a-n Magazine.] It was a great start to my day […]
Outer space investigates the interface between artists’ practice and the socio-political domain. Devised and edited by Esther Salamon, contributors include Chris Batt MLA, Paul Collard Creative Partnerships, Jonathan Davis CABE, David Lammy MP Minister for Culture, Graham Leicester International Futures Forum and Tom Shakespeare.
The Centre for Contemporary Art and the Natural World (CCANW) launches its Project Space this month, the first phase of its development in the newly improved Haldon Forest Park near Exeter, which is also launched on the same day. CCANW […]
Nests and cocoon-like forms intrigue me because they are often built directly into existing structures, such as trees or architectural features.
A series of Vox box style reflections by some of the artists who have experienced NAN.
Biographies of Import/Export speakers.
