Home and away
Curatorial partnership B+B talk about their residency at the Austrian Cultural Forum in London.
Curatorial partnership B+B talk about their residency at the Austrian Cultural Forum in London.
Axis launched its new name and a portfolio of new ventures in May the result of a strategic review of the organisation’s function and future directions. Under the corporate name of Visual Associations, this information resource will offer two […]
Dany Louise reports on the Urban Ecologies seminar in Liverpool, and highlights recent projects which have successfully engaged with urban issues whilst balancing artistic aims and community involvement.
Dion Ellis gives an overview of SCAN (Southern Collaborative Arts Network), an evolving consortium of ten independent arts organisations that aims to promote emergent, collaborative and experimental practice based around new media.
Wimbledon School of Art has announced its newly-formed partnership with University of Gloucestershire and Jerwood Charitable Foundation in delivery of the Jerwood Drawing Prize. Wimbledon School of Art’s Centre for Drawing has now become the prize’s administrative centre. Anita Taylor, […]
Based in Newcastle upon Tyne, Helix Arts agency aims to bring artists working in all disciplines into direct contact with people, primarily those who have had little experience of or contact with the arts. Projects have taken place in a […]
Down town Regardless of your artistic persuasion the New York art scene is probably the most seductive in the world, with the possibility of wealth and influence promised by the American art dream. As someone whose artistic and curatorial interests […]
SSW (Scottish Sculpture Workshop) is an organisation that has always focused on artists and artistic processes. Located in rural north east Scotland it offers accommodation as well as workspace and has often been used by artists to pursue a period […]
Susan Jones explores the way artists interact with audiences through projects and schemes which involve social or environmental contexts.
Carey Young provides a guide to engaging with businesses and in business contexts.
Lucy Kimbell looks at how artists and arts organisations can work with businesses and the pros and cons of such collaborations.
Gordon Dalton talks to Danny Rolph about creative process, gallery representation and residencies at Delfina and the British School at Rome.
Richard Cox profiles the Bemis Center for Contemporary Arts, USA, and discusses his involvement as both resident artist and selector.
Jane Watt profiles Grizedale Arts, its residency programme and focus on research and process-based work that encourages interaction with the physical and social environment.
Mark Leahy looks at Ivan Smith’s intentions for his Fellowship in Sculpture at University of Derby, funded by the Henry Moore Foundation, and its role in his career development.
Mark Leahy on Rona Lee’s fellowship at the Department of Drama and Theatre Studies at Royal Holloway University, London where she was in receipt of an AHRC Fellowship in Creative and Performing Arts.
Brigid Howarth takes an in-depth look at the career path of sculptor and new-media artist Ben Coode-Adams, who makes his living from public and private commissions.
Angharad Pearce Jones explores the sprawling career of Tessa Fitzjohn, providing an insight into her successful work/life balance.
Nils Norman’s practice uses digital illustrations and architectural modelmaking to propose redevelopments of urban sites. Chris Hammonds finds out about his ‘multi-front economy’ based practice.
Paul Moss profiles Tanya Axford and discusses the strategies she has employed to maintain her practice.
Chris Hammonds looks into Scott Myles practice and discusses how he has worked on self-initiated projects, developed work through residencies, and benefitted from commercial representation.
Heather Rigg profiles Next Move, a national professional development scheme which aims to launch the careers of applied artists.
Carolyn Black’s first time working away from her home and studio was a UNESCO funded residency in Java, Indonesia.
Paul Edwards describes how residencies provide him with the opportunity to concentrate wholly on his practice.
Annie Cattrell is concerned with the hidden structures and systems of life. Her work evolves by isolating and fragmenting these systems in three dimensions, allowing the viewer to access the physical boundaries between the interior world of the body-mind and […]