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Making money from art
This is a response to John Boshoff’s letter in August.
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ACE’s Turning point strategy under the spotlight
Artists comment on the Arts Council’s Turning Point Strategy.
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Artists’ fees update
In order to ensure their fees keep track with their level of experience and the general rate of increases in costs of living and overheads, September’s a good time for artists to review their approaches to budgeting and charging.
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Impact of networking: The NAN way
Jane Watt outlines the core strengths of NAN and looks to the future.
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Fees update
Paul Matosic’s letter (June issue) raises important issues for all artists for whom operating professionally is vital.
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Code of Practice – Artists
A Code of Practice takes commonly-agreed principles of good practice and demonstrates why and how they should be applied.
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Profile
Cell Project Space
Paul Stone on east London based organisation Cell Project Space that across three sites encompasses gallery, studios and internship programme.
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Approaching public practice
Artist’s motivations when working in the public realm.
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Out of Control
Mike Stubbs examines some issues facing artists.
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Why are artists poor?
In November, some forty representatives of directors, visual artists and writers from thirteen European countries met in Amsterdam for a conference organised by EURO-MEI.
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Creative conflict
David Lammy MP, Minister of Culture, on the challenges facing visual artists.
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Selling in Europe
I attended the Junst event in Rotterdam, advertised in a-n last month, and thought you might like feedback: The exhibition was full, and what struck me at first was the vitality and variety of the 500 exhibitors’ work. It was […]
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Grants for the arts
Also under the microscope has been Arts Council England’s Grants for the arts programme. This has been dubbed in Annabel Jackson Associates’ evaluation of the 2003/04 scheme as “a brave and radical initiative that has transformed grant making [but that […]
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What we did next
Recent graduates on their first year as professional artists.
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Funding strategies
Arts Council England cuts clients whilst remaining “brave and radical”.
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Guide
Good practice in paying artists
Aimed at public sector arts employers, commissioners, consultants and arts trainers, Good practice in paying artists addresses the context for fees and payments for artists’ residencies, workshops and community commissions.
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Rodney Court project
Rodney Court is a proposed conversion of a Manchester tower block into live/work space for artists.
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Guidance for arts employers published
a-n’s Director of Programmes Susan Jones introduces Good practice in paying artists.
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Introduction
Group studios
Paul Glinkowski looks at the UK studio landscape, highlighting successful new studio models. He also offers advice to artists wanting to set-up their own group.
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Quo Vadis: Cultural identity and the nomadic artist
Or: Where do you go? Who goes there? Who are we anyway? Carolyn Black enquires.
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Whose island?
Devised by Grizedale Arts, ‘Romantic Detachment’ features artists from the UK and the USA. Brian Dewan’s text forms part of his performance/installation for the exhibition.
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Research paper
Fees and payments for artists
Funded by Arts Council England, this research study in 2004 prefaced new resources from a-n to extend the Code of Practice and demonstrate good practice within artists’ fees and payments, for use by artists and public-sector employers and commissioners. For current sample rates go to Guidance on fees and day rates and for latest Paying artists research go to www.a-n.co.uk/tag/paying-artists
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Stroud Valleys Artspace
More than just a studios building, Stroud Valleys Artspace (SVA) represents a hub for artists in the area.
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Futurology
New Art Gallery Walsall 30 July
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Locative networking
Iliyana Nedkova responds to the networking themes that arose at Amorphous combustion, part of a body of specially commissioned writing published now on www.a-n.co.uk