The German filmmaker and writer is the first female artist to be named by the ArtReview Power 100 as the most influential person in the art world, although men still outweigh women on the list.
A weekly briefing featuring national and international news, including: Pussy Riot stages protest at Trump Tower and Artforum issues statement on publisher Knight Landesman’s resignation following sexual misconduct lawsuit.
Following a project this year working with Yezidi women who escaped ISIS captivity, Hannah Rose Thomas continues her MA studies in London. Richard Taylor finds out how her interest in the diversity of people and cultures, as well as her commitment to relief work, drives a unique approach to portraiture.
The advisory service for artists in the south west of England announces it will be ceasing all activities after a second application to Arts Council England’s Grants for the Arts scheme was unsuccessful.
The site of the not-for-profit arts organisation had been highlighted in the council’s New Southwark Plan as an area to be redeveloped for a new mixed use development.
Commissioned to write a 500-word comment piece, artists Kerri Jefferis, Sophie Chapman and Rosalie Schweiker started thinking about the words we use in the visual arts and the need for new ones. This is what they wrote.
Culminating in a day-long symposium on the ‘ideas, impact and architecture’ of Robin Hood Gardens’ architects Alison and Peter Smithson, the group show ‘Parallel (of Life and) Architecture’ includes a collaboration between Assemble and London-based artist Simon Terrill. Chris Sharratt finds out more.
A selection of exhibition highlights for the week ahead including: Paula Rego at Jerwood Gallery, Hastings, Ilya and Emilia Kabakov’s installations at Tate Modern, London, and Turner Prize-winner Susan Philipsz at Baltic, Gateshead.
A weekly briefing featuring national and international news, including: Explicit sculpture finds new home at Pompidou Centre, and Hayward Gallery appoints Vincent Honoré and Cliff Lauson as senior curators.
Five projects from a-n members, selected from a-n’s busy Events section and including exhibitions in Bath, Eastbourne, Nottingham, Salford and Warrington.
To coincide with Soul of a Nation at Tate Modern, US writer Claudia Rankine presented a reading from her new play, which explores racism in the art world and beyond. Sonya Dyer found it a powerful vehicle for exploring the intersections of capitalism, race, empathy and resistance – particularly in light of the Dana Schutz Whitney Biennial controversy and a renewed focus on depictions of the Black body.
The online survey of arts workers reveals the strain local authority cuts are putting on the sector, with community arts groups facing the biggest threat.
For the inaugural visual arts commission at Storyhouse in Chester, Bedwyr Williams has transposed stories collected from a local newspaper archive onto a digitally animated recreation of the town’s former Roman Fortress Bathhouse. Speaking to Fisun Güner, he laments the loss of British awkwardness, and describes how this new work will take the viewer on a journey to “a space that’s out of time”.
The first edition under the new direction of Richard Parry will include new works, site-specific commissions, and exhibitions and events across over 70 venues and spaces.
Sarah Bodman previews Angie Butler’s new artist’s book which she has created as part of a research residency exploring the diverse creative practice of artists making books in Bristol and the physical production of books in the city.
International list of names announced for 10th edition of biennial which is also celebrating 20 years of presenting art in the city and region.
A selection of exhibition highlights for the week ahead including a Jasper Johns survey at the Royal Academy of Arts, an art/science collaboration in Newcastle and Robyn Denny’s abstract paintings at Newlyn Art Gallery, Penzance.
Crowds during Notting Hill Carnival paused to observe a minute’s silence in memory of those who died in the Grenfell Tower fire, as memorial fund set up in memory of artist Khadija Saye exceeds target.
69 works by 65 artists have been selected for the latest edition of the UK’s longest-running annual open drawing exhibition, which will also be Jerwood Charitable Foundation’s final year as the show’s key partner and funder.
In the midst of a growth in performative and participatory art at international art biennials, Documenta recently confirmed the site of a new permanent institute in Kassel. Inspired by an academic conference on conserving contemporary art, Laura Harris assesses the challenges the institute faces in a climate where the experiential is increasingly taking precedence over the art object.
