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Conserving contemporary art: practice, theory and the Documenta institute

In the midst of a growth in performative and participatory art at international art biennials, Documenta recently confirmed the site of a new permanent institute in Kassel. Inspired by an academic conference on conserving contemporary art, Laura Harris assesses the challenges the institute faces in a climate where the experiential is increasingly taking precedence over the art object.

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Review

Aalto Natives

What is the point of a national pavilion? This is the question that sticks in my mind whenever I’m at the Venice Biennale. Most specifically in the Giardini, but to greater and lesser extents throughout all the 86 national participants […]

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Blog Post

On money, blades of glass and the Gideons

A staggering 8 years after the last post on this blog, I wondered whether what I was writing in 2008/2009 is still relevant today. Essentially I was asking: Where do we stand, as artists, within the UK economy? How do we relate […]

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Blog Post

Thursday 6 July

Thursday 6 July hot hot hot and stormy borrow the yellow bike bit like a chopper to go to the shop the warm rain makes my arms wet and shiny am dry by the time I return out on the […]

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Review

Precarious

I arrived in Venice and my first destination by water boat, is the Giardini. Upon my arrival I take a moment to stand and look over the river, placing my hands on the stone wall running by the Giardini Gardens. […]

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Free Market thinking: arts, organising and alternatives to neoliberalism

Market Gallery’s recent Free Market symposium – supported by an a-n Artist Led Bursary – brought together thinkers and doers to discuss issues around ‘cultural resources in crisis’ and was in part informed by the Glasgow gallery’s own precarious situation. Chris Sharratt reports on three days of thinking beyond the usual.

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NOW SHOWING #198: The week’s top exhibitions

A selection of recommended exhibitions for the week ahead, including Katsushika Hokusai prints in London, Phyllida Barlow and Michael Armitage in Margate, and Alfred Wallis and Christopher Wood’s sea paintings in Cambridge.

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