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A Platform for emerging artists

by a-n Editorial

Four flagship South East England galleries are supporting the professional development of recent graduates through the inaugural Platform Graduate Award.

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Blog Post

Untitled blog post from "Re: What we talked about"

by Alex March

‘Saatchi paints a scathing picture of the contemporary art world and says that being a buyer these days “is comprehensively and indisputably vulgar”. He says: “It is the sport of the Eurotrashy, hedgefundy, Hamptonites; of trendy oligarchs and oiligarchs; and […]

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Baby Bird I
Resource Profile

Gary Hume

by Annabel Tilley

Annabel Tilley talks to Gary Hume about twenty-five years of practice, prizes and paint.

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Blog Post

Untitled blog post from "a networked practice"

by Ryan Hughes

Working on a site/context specific piece of work for a solo show as part of the ‘in the window’ program @ AirSpace in Stoke-on-Trent. I think I may have discussed Firewall before (and have even posted video) but the work […]

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Venice snapshot
Resource Profile

Graduate interview: Claudia de la Pena

by Richard Taylor

We catch up with a 2011 graduate, one year on from her degree show, to unveil alternative means of productivity with Scotland and Venice, well placed volunteering and research through internship.

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The Detective #1
Resource Profile

Jennifer Picken: A juggler in the game

by Jennifer Picken

Jennifer Picken has been working with a-n since her MFA studies at Newcastle University, and continues her role in the Communications and Partnerships team working remotely from Amsterdam – where she has a studio. Here she maps her alternative working routes through undergraduate study, from volunteering to mentoring and beyond.

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Starchitect
Resource Archive Feature

Realising the value

by Dany Louise

An abridged version of Dany Louise’s follow-up report on small visual arts organisations cut by Arts Council England, six months after her ‘Ladders for development’ enquiry. She asks: how have these organisations fared and what do their futures hold? Read the full version of this report with updates on all surveyed organisations: www.a-n.co.uk/realising_the_value

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Installation as part of Artsway New Forest Pavilion
Resource Research paper

Realising the value: how practice-based organisations will fare after ACE cuts

by Dany Louise

‘Ladders for development’ argues that the visual arts sector should pull together and support small visual arts organisations cut by Arts Council England because they “punch above their weight” and provide vital development of future artists. Six months on, Dany Louise interviews these arts organisations again, to find out how they’ve fared and what their futures hold.

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Vermilion Lake
Event Exhibition

VISITOR

by Bruno Martelli
  • Archive
  • Venue:
    Aberystwyth Arts Centre
  • From:
    November 12, 2011
  • To:
    January 15, 2012
  • Location:
    Wales
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Blog Post

Untitled blog post from "Simulacra And Simulations"

by Helen Dearnley

My efforts at trying to have some kind of break for half term have been disrupted by accidentally getting involved in Frequency Festival events. This has been quite challenging considering Orange have completely cut off my mobile phone service, so […]

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A Question of Movement
Resource Archive Feature

Siobhan Davies Commissions

by Tracey Rowledge

This month sees the culmination of a two-year project at Siobhan Davies Dance, one of the country’s most distinctive dance companies. Choreographer Davies has paired dance artists with visual and applied artists to bring their creative practices together and create new works ranging from performance to film and installation. The commissioned dance artists are Henry Montes, Sarah Warsop, Gill Clarke and Deborah Saxon who are partnered respectively with Marcus Coates, Tracey Rowledge and Lucy Skaer. Henry Montes and Deborah Saxon have also made a piece together with Bruce Sharp. Here, three of the visual artists relate their experiences.

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Resource Research paper

A fair share – direct funding for individual artists from UK arts councils

by Dany Louise

The key finding of this study reveals that shockingly few individual artists apply for funding in their own right, and even fewer are successful. What this means is that there is little direct funding being given to artists to pursue and develop their own projects, under their own control – under 20% of available funding for the visual arts in England, 14% for Northern Ireland and around 18% for Scotland and Wales in 2009-2010.

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Blog Post

Untitled blog post from "The Collaborator"

by Nicola Dale

That’s some shameful shit Despite a couple of weeks in which I have come across new and revisited old collaborations that have been: · Difficult-but-rewarding (Carol Yinghua Lu discussing her work with Liu Ding at the Chinese Arts Centre, “There […]

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