The UK’s presence at this year’s Venice Biennale is particularly strong, with Phyllida Barlow’s sculptures at the British Pavilion, Rachel Maclean’s new film for Scotland + Venice, James Richards’ sound and film work representing Wales, and the new Diaspora Pavilion reflecting the diverse cultural backgrounds of UK-based artists. Moira Jeffrey reports.
The Cardiff-born 2014 Turner Prize nominee has been chosen from a shortlist of three to represent Wales at the 57th Venice Biennale.
Artist Anthony Schrag is walking to Venice and invites artists and members of the public to join him along his route. Organised by Deveron Arts, Lure of the Lost: A Contemporary Pilgrimage questions the temptations of La Biennale.
As the dust settles after last week’s hectic preview period, a-n’s Pippa Koszerek reviews the exhibitions by Sarah Lucas (British Pavilion), Helen Sear (Wales) and Graham Fagen (Scotland) at the 56th Venice Biennale.
Just because you’re not officially in the Venice Biennale doesn’t mean you can’t be part of the frenzy of activity taking place across the city. Pippa Koszerek highlights some of the alternative and artist-led events taking place during and beyond the Biennale’s three-day preview.
a-n is supporting 21 artists to attend the 56th Venice Biennale preview week in May, through the latest round of its Go and see bursary awards scheme.
A Review of the 14th Venice Architecture Biennale by Vassiliki Tzanakou Curator and Political Scientist & Israel Hurtado Cola Architect & Writer
Supported by a-n, Edinburgh College student Chloe McHardy is part of the 2022 Scotland + Venice Professional Development Programme. The aim of the programme is to help participants establish professional networks at a transitional point in their careers. Over a […]
The last 12 months has seen the Cardiff-based artist presenting new work at the Venice Biennale that drew on his experiences of growing up on a council estate in 1980s Cardiff. Here he reflects on his personal highlights from an eventful year and calls for more support for working class artists.
This week’s selection includes exhibitions and events in London, Norfolk, Sussex and Venice – all taken from our busy Events section featuring shows and events posted by a-n members.
I arrived during the preview week of the Venice Biennale as a recipient of an A-N Artist Bursary 2019. Curated by Ralph Rugoff, and named May You Live in Interesting Times, I wondered if the 58th International Art Exhibition could possibly […]
In Brief: News briefing with national and international stories, including ‘national treasures’ worth £12m saved from export; UK’s largest commissioner of outdoor arts shows announces 21 awards for artists; new website uses film to promote contemporary art.
In Brief: News briefing with national and international stories, including: Roger Hiorns secretly buries plane near Ipswich; Sophia Al-Maria wins first major US award for contemporary Middle Eastern art; selectors announced for Jerwood Makers Open 2019.
Announcing the recipients of this year’s a-n Biennial Bursaries which will enable 10 a-n members to attend the opening days of the 10th Berlin Biennale for Contemporary Art in June, while a further 10 will travel to Palermo in Sicily for the preview of Manifesta 12.
For six months every two years, Venice’s Giardini, Arsenale and many splendoured palazzos play host to the Art Biennale. This year, titled Arte Viva Arte and curated by Christine Macel, promised ‘an extrovert movement from the self to the other, […]
Working with fifth generation tightrope walker Rasul Abakarov within the vast landscape of Dagestan, artist Taus Makhacheva’s film Tightrope has been lauded by critics following its exhibition at the Venice Biennale. Pippa Koszerek talks to the artist about the processes and risks involved in her work.
During the opening week of her Scotland + Venice film, ‘Spite Your Face’, artist Rachel Maclean spoke to Emily Sparkes about politics, inappropriate nose-touching and pasta pomodoro.
For her Venice Biennale film, Spite Your Face, Scottish artist Rachel Maclean has created a re-working of the Pinnocchio story that explores power, political lies and the rise of populism. Moira Jeffrey talks to her about the themes and form of the work.
Curated by Christine Macel, this year’s International exhibition at the Venice Biennale is conceived as a series of nine ‘pavilions’ that span the Giardini and Arsenale sites. Pippa Koszerek finds thoughtful inquiry in an exhibition that at times can feel muddled and historically naive.