Factory Nights@Berwick Town Hall and Prison Cells
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Archive
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Venue:
Berwick Old Town Hall -
Date:
April 23, 2010 -
Location:
North East England
Artist Christine Wilcox-Baker recounts her residency at Tatton Park with Gardens Manager Sam Youd.
Toynbee Hall and other venues in East London, London
4 – 6 November 2009
Dan Thompson from The Revolutionary Arts Group reveals how artists are once again making use of empty spaces as a means to kick-start both the cultural and economic well being of town centres, and suggests seven steps to enable this area of practice to flourish.
From over 2,000 entries, 59 projects were shortlisted for Artists Taking the Lead. Artists get a
Alice Bradshaw and Matthew Geraghty discuss Temporary Art Space’s six-month tenancy in the council-run Piece Hall in Halifax.
Triangle Arts trust has appointed curator, writer and Artistic Director of the 17th Biennale of Sydney David Elliott as Chair, succeeding Robert Loder who will remain a trustee. Arts Council England North East Director Mark Robinson has confirmed he will […]
What is an artist-curator? What makes a good collaborative partnership between a curator and an artist? What financial, practical and critical support is available to curators? Do you work with an organisation or go it alone?
Simon Tegala tells how he needs to adopt many different roles to realise the production of his curatorial projects.
Jananne Al-Ani describes how her experiences as an artist have informed her development of curatorial projects.
Frances Lord discusses her practice as a curator, writer, freelance project manager and art consultant with Jane Watt.
Creative and market development programme Designer Maker West Midlands (DMWM), managed by Heather Rigg and funded by Arts Council England, has appointed three mentors to mentor mid-career designer makers through their new Future Forward 1 scheme.
A guide for artists and organisers, with comments from artists and good practice checklist.
Beyond the curatorial work established by and presented from within art museums and galleries, a plethora of curatorial organisations operate in order to support and develop the practice of curating. This tour, by Charlotte Frost, examines some of the different remits addressed by curatorial organisations, providing an initial orientation in their hugely diverse activities.
Although you may not know it, 2009 has been designated European Year of Creativity and Innovation in recognition that Europe needs to boost its capacity for creativity and innovation, both for social and economic reasons.
Chris Fite-Wassilak is winner of the inaugural Curatorial Open a new three-year initiative for emerging curators at post graduate level organised by Hayward Touring.
Art at the Centre is an award scheme from Arts Council England, South East that seeks to involve artists from the outset of regeneration projects across the region. As part of this scheme, Maidstone Borough Council looked to develop an Artists’ Quarter in the heart of the town to promote the area’s wealth of creative talent. Here video-media artist Margherita Gramegna and consultants FrancisKnight talk about their involvement in this process and the resulting work, Artists Don’t Bite.
Sarah Thelwall reveals that there is not one art market but several different ones. These markets are very different in terms of the artists, gallerists and collectors who participate and develop them. This Art market tour articulates the main markets and looks at what drives them.
Mark Gubb asks public art commissioners and consultants their views on how they select artists for commissions and what they expect artists to prepare for interview.
Jane Watt delves into the process of commissioning and looks at the organisations and bodies offering opportunities to artists at all stages of their careers. Fully updated for 2008.
Jane Watt looks into the world of academic research and examines research opportunities for artists within institutions and the UK higher education system.
Charlie Levine on Rachel Grants’ relationship to her home town and how she explored notions of community following an award from Longhouse, an organisation in the West Midlands that supports research projects by artists focusing mainly on the public realm.
Kai-Oi Jay Yung speaks to Guyan Porter about his residency at Chandrasevana Creation Centre in Sri Lanka.
Charles Danby explores how Gayle Chong Kwan developed avenues of exchange centred on relationships with food through a community-based residency facilitated by Platform for Art.
Catherine Wilson addresses three collaborative projects by Rio de Janeiro-based Mauricio Dias and Walter Riedweg who develop works with communities and social groups often on the edges of mainstream society.