Lynette Wallworth
Theatre de l’Archeveche, International Festival d’Art Lyrique, Aix-en-Provence
27 June – 23 July 2008
Theatre de l’Archeveche, International Festival d’Art Lyrique, Aix-en-Provence
27 June – 23 July 2008
Updated for 2008 Research papers, Indexing intelligence is a listing with live weblinks of accessible ‘facts and figures’, research studies, conference reports, publications and other resources that are pertinent to all those working in the visual arts, compiled and edited […]
Paul Stone talks to Kit Kingsbury about her three-week residency at the Hungarian Multicultural Center in Hungary.
Paul Stone talks to Sheena Macrae about her three-month residency at Gertrude in Melbourne, Australia and its huge impact on her practice.
New Life Berlin Shop, Berlin
1 – 15 June 2008
New Life Berlin Shop, Berlin
1 – 15 June 2008
Queen Mary University, Arts Building, London
24 May 2008
Penny Jones explores the career of Andrew Tanner who has spent ten years as a designer maker developing many successful ranges of batch-produced ceramics.
Penny Jones profiles Fred Baier exploring the development of his career since the 1970s and commissions for an impressive range of private and public clients.
Manick Govinda explores The Arts Foundation’s numerous awards for individual artists and looks at the impact they have on the receipients.
Frances Lord profiles Ismini Samanidou who designs woven fabrics for interior spaces, ranging from one-off pieces to limited edition textiles.
Penny Jones talks to Deirdre Nelson about her textile-based work, often made in response to museum collections or site histories and informed by local communities, and residencies in the Scottish Highlands and Australia.
Frances Lord profiles Linda Florence, who creates wallpapers, flooring surfaces and interior textiles for domestic and commercial interiors, as well as temporary installations in transient materials.
Penny Jones profiles Clare Twomey, who makes large-scale ceramic installations for galleries and museums often in collaboration with the UK ceramics industry.
To preface a new ongoing series exploring relationships between artists and their collaborators, we asked some of today’s most interesting curators for insights into their practices.
This article by Furtherfield.org founders and Directors Ruth Catlow and Marc Garrett was originally published in Coding Cultures: A Handbook, commissioned by Francesca da Rimini and d/lux/MediaArts in 2007. Catlow and Garrett discuss the origin and mission of Furtherfield.org and how its participatory platforms are art production tools.
Charlotte Frost delves into the on and offline world of Furtherfield.org, where web surfers are encouraged and enabled to become co-producers in art making/situating via platforms such as VisitorsStudio and projects like DIWO (Do It With Others).
With reference to the production of inter-disciplinary visual arts, Charlotte Frost indicates the types of activities involved, art forms which respond well to this style of collaboration and some of the difficulties experienced by production agencies in working in this way.
Manick Govindas profile of Paul Hamlyn Foundation, one of the most respected and innovative grant-giving trusts in the UK
Chris Brown introduces a rulebook to guide you through the whys and wherefores of artist-led activity.
The Collecting Live Art symposium that launched independent curatorial initiative Collecting Live Art addressed key issues surrounding the collection, sustainability and legacy of live art.
Manick Govinda on the often secretive processes behind awards by nomination as well as the benefits for artists in terms of recognition and critical acclaim.
Nina Madden explores the myriad of awards offered by the Jerwood Charitable Foundation.
Text-only version of a-n Research paper: Art work in 2007 with live weblinks.
Nina Madden gives an overview of some of the visual art prizes selected from open submission competitions.