As a task following on from the first Writer Development Programme workshop at Coventry Artspace on 20 November 2019, each of the eight participants was asked to write a 1,000-word feature on the Coventry Biennial. The piece needed to include […]
Chris Sharratt, who as a freelance writer and editor has written for Frieze, the Guardian, Art Agenda, Sculpture Magazine and Art&Education and been arts editor at Metro, shares his experience and offers some top tips to consider when writing art reviews.
Our regular selection of shows to see around the UK, including Hayley Newman’s watercolour paintings at Matt’s Gallery, London, plus an exhibition of work by artists who face barriers to the art world at Kings Place, London, and Martin Parr’s photography at the newly refurbished Aberdeen Art Gallery.
Featuring over 100 artists across 12 venues around Coventry and Warwickshire, the second Coventry Biennial is titled The Twin to reflect the city’s key role in founding the twin cities movement and to highlight current social and political issues. We take a look back at our recent Instagram coverage, with highlights from the shows at The Row and The Herbert Art Gallery and Museum.
The Turner Prize winner and Royal Academian will help select three prize winners from 80 exhibiting artists, with the first prize offering a solo exhibition at Phoenix Gallery, Brighton.
The organisation which was founded by two painters in 2013 has announced the call out for the latest edition of its Contemporary British Painting Prize.
The winner of the award supporting emerging graduates will receive a bursary of £2,000, plus bespoke mentoring for 12 months.
This week’s recommended shows include an exploration of Stanley Kubrick’s design process at the Design Museum in London, plus James N. Kienitz Wilkins’ moving image work at Spike Island, Bristol.
This week’s selection includes performance events and exhibitions in Farnham, Birmingham, London, Edinburgh and Cromford in Derbyshire – all taken from a-n’s busy Events section featuring shows and events posted by members.
As part of our commitment to supporting artists’ professional development, we are offering a-n members remote access to a series of mentoring sessions with our visual arts mentors. DEADLINE IS NOW PASSED.
As part of our commitment to supporting artists’ professional development, we are offering a-n members remote access to a series of coaching sessions with a coach accredited through the a-n Visual Arts Coaching Course. DEADLINE IS NOW PASSED.
London-based artist Tash Kahn carefully curates the detritus she photographs on London’s streets on her @thisladypaints Instagram. Laura Davidson enters her world of trash.
Inspired the writings of Italo Calvino, the ‘Six Memos’ exhibition in Liverpool brings together 20 artists from 12 European cities in the CreArt network. As Brexit draws nearer, Martin Hamblen reflects on its cruel asymmetry.
For her show at Glasgow’s Transmission gallery, Scottish artist Rabiya Choudhry presents selected works from a six-year period including paintings, printed fabrics and a neon window sign in tribute to her dad. Jessica Ramm asks where her vibrant but troubled paintings come from and what it means to fly solo at this important artist-run space.
For the inaugural York Mediale festival, which presents work by artists who incorporate technology in their practices, female digital artists and activists Deep Lab tackle the ‘invisibility’ of refugees with a video work projected on York’s city walls. Laura Davidson reports.
The 19th edition of this annual festival in south-east London features a curated programme of work by emerging artists plus a sprawling and diverse Fringe – all within a 1km radius of Deptford station. Carrie Foulkes reports.
Christine Borland’s current show ‘to The Power of Twelve’ looks at the history of Mount Stuart, a neo-gothic country mansion on the island of Bute, during the first world war when it was used as a naval hospital. She talks to Jessica Ramm about the project which sees her return to Mount Stuart fifteen years on from her first exhibition at the Grade A listed house.
Following a call-out asking artists to submit their ‘preparations, patterns, neuroses, speculations, and procrastinations that surround the production of art in the studio’, the four-day Inventory of Behaviours event at Tate Modern saw these submissions turned into instructions that were carried out by volunteer artists, students and members of the public. Trevor H. Smith explores the value of the transitional space between not making and making art.
For his exhibition ‘Fellowship of Citizens’ London-based Icelandic artist Saemundur Thor Helgason is promoting a lottery set up to help fund a campaign to bring about the idea of a basic income for each person in Iceland. Laura Davidson visits the show at arebyte Gallery and talks to Helgason about his plans.
For ‘A Woman’s Place at Knole’, six female artists including 2017 Turner Prize winner Lubaina Himid have responded to the usually hidden, gendered stories of an historic National Trust property in Kent to produce artworks that span painting, sculpture, film and online. Judith Alder reports.
While its spread-out nature presents plenty of challenges for artists and galleries in the counties of Carmarthenshire, Pembrokeshire and parts of Ceredigion, west Wales nevertheless has a lively and varied visual arts scene. For the latest in our ongoing series, Bob Gelsthorpe provides a snapshot of current activity.
During this year’s Glasgow International, artists Ailie Rutherford and Janie Nicoll presented In Kind, an action research project using the festival as a case study in order to chart the “hidden economies of the visual arts”. Fellow Glasgow-based artist Jessica Ramm finds out what they discovered and ponders where to go next.
One of Scotland’s key commercial galleries for contemporary art marks its 20th year with a new home in a former Glasite Meeting House in the city. Jessica Ramm reports.
For the latest in our ongoing Scene Report series, Preston-based artist Martin Hamblen provides a tour of the city’s visual arts activity and asks whether the much vaunted ‘Preston Model’ of inward investment stretches to investing in the artists living and working in the area.
As he prepares for his Glasgow International solo show at Kelvin Hall, Jessica Ramm – who is also exhibiting during GI – talks to the Glasgow-based artist about authority, control and power, and how his work offsets some of the grandeur of the city’s colonial past.
