Arts education professionals and politicians have met as a first step to tackling the structural problems causing the arts to be neglected in many schools. Arts Professional’s Liz Hill reports.
The annual exhibition, which has showcased work by new and recent fine art graduates since 1949, has announced that 2018 submissions will be open to artists from non-degree awarding art education programmes.
Briefing featuring national and international news, including: Artist organising alternative Havana Biennial released on bail; new judges announced for Lynn Painter-Stainers Prize.
Alongside the launch of its first curated programme, this week Tendency Towards opens its inaugural exhibition – an interdisciplinary showcase of graduate artists from four Scottish art schools. Richard Taylor finds out more about this new artist-run initiative in Scotland’s ‘Granite City’.
Taking place over the next three years, the new project will include series of public art commissions and an education programme as artists create artworks with and for South London Gallery’s neighbours on the Elmington, Pelican and Sceaux Gardens housing estates.
Arts Council England’s National Portfolio for 2018-22 includes an overall increase in the number of visual arts organisations receiving funding from 121 to 149. We highlight six organisations who will be joining the portfolio and find out what their new status will mean to them.
A new exhibition and free pop-up summer school from Create London and the William Morris Gallery celebrates the cultural and educational legacy of Walthamstow School of Art, which from 1957 to 1967 became a hotbed of artistic ideas and talent. Lydia Ashman talks to two of the people behind the ‘Be Magnificent’ project.
We pick five of our favourite artist responses to the general election that have been featured on Instagram, including a print at home poster and a game pitching Corbyn vs May.
Market Gallery’s recent Free Market symposium – supported by an a-n Artist Led Bursary – brought together thinkers and doers to discuss issues around ‘cultural resources in crisis’ and was in part informed by the Glasgow gallery’s own precarious situation. Chris Sharratt reports on three days of thinking beyond the usual.
Being a mother of young children and continuing your art practice is incredibly difficult. Inspired by a recent symposium exploring the challenges of being a ‘mother artist’, Frances Bossom – who presents a ‘Proposal for a Guide for Art Parents’ at June’s a-n Assembly event in Bristol – calls for an approach that values the complex reality of motherhood.
In response to a call out earlier this year that sought proposals exploring how artists and artists’ groups adapt to navigate turbulent cultural and political landscapes, six artist-led groups have been awarded bursaries to develop their research.
Three high-profile artists have been announced as the selectors for the annual New Contemporaries exhibition, which showcases new artists from UK art schools.
The British Art Show 8 touring exhibition was popular in Leeds, Edinburgh, Norwich and Southampton, receiving large visitor numbers.
The NewBridge Project is bidding farewell to its current home in Newcastle city centre with a month-long exhibition and events programme featuring over 80 artist studio holders.
What does 2017 have in store in terms of conferences and events, exhibitions, art fairs and festivals? We take a month-by-month look at what the year has to offer – and we’ll be adding new events for later in the year as they’re confirmed.
Salford-based artist Maurice Carlin is the recipient of the inaugural Clore Visual Artist Fellowship 2016/17, supported by a-n. He recalls a year in which personal successes have been overshadowed by global events.
This year’s Compass Festival of live art features 18 events, many of which have walking at their heart as performers and participants infiltrate and interact with the city around them. Lydia Ashman finds out more from the festival’s director and some of the artists taking part.
As the New Art Gallery Walsall, opened in 2000 and home to the Garman Ryan Collection of over 300 Jacob Epstein sculptures, is threatened with closure, the artist Bob and Roberta Smith expresses his dismay at its possible demise.
From community university partnerships to practice-based PhDs and tenured teaching posts, a new set of resources developed for a-n by artist Steve Pool identifies some key ways artists are working within higher education, and considers the value of such relationships to both artists and institutions.
The Salford-based artist Maurice Carlin hopes to use his time as the first-ever Clore Visual Artist Fellow to, among other things, “change perceptions… of what it means to be an artist”. He shares his thoughts on the fellowship, its personal and wider significance, and why artists – and the artist-led sector in particular – need to recognise the importance of good leadership.
Salford-based artist Maurice Carlin announced Clore Visual Artist Fellow supported by a-n, as the prestigious leadership development programme reveals its fellows for 2016/17.
The outspoken artist and performer Liv Wynter is undertaking a residency at the artist-run Royal Standard titled HOW MUCH ARE THEY PAYING YOU? to coincide with this year’s Bloomberg New Contemporaries at Liverpool Biennial. Laura Robertson speaks to her about activism, artists getting paid, and remembering Ana Mendieta.
The Artists Fund pilot programme – a partnership between a-n, Artquest and DACS – has chosen the recipients of five £1,000 grants and three commissions worth £2,000 each.
Highlights for the week ahead selected from our busy Events section and featuring exhibitions and events posted by a-n’s members.
As Troy Town Art Pottery moves from its first home at Open School East down the road to an outbuilding on Hoxton Street, founder and artist Aaron Angell speaks to Pippa Koszerek about his motivations and future plans for the London-based pottery.
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