This week’s selection, chosen from listings posted by a-n members on the site’s Events section, includes exhibitions in Brixton, Leamington Spa, Penzance, Rye and Wimbledon.
As City of Culture 2017 approaches, Hull’s longest-running artist-led gallery leaves its premises of 19 years to make way for new £36 million music and conference venue.
Artist and former teacher Henry Ward is head of education at the Freelands Foundation, founded last year by Elisabeth Murdoch. a-n Writer Development Programme participant Lydia Ashman finds out more about the foundation and its forthcoming Art Is… symposium at Tate Modern.
The Islington Mill Art Academy in Salford has been providing a free alternative to mainstream art education since 2007. Sara Jaspan speaks to its co-founder, Maurice Carlin, and gets the views of artists who’ve taken part in the Academy’s ever-evolving investigation of what art education can be.
What does it mean to be an artist and how does the romantic idea of the creative individual pursuing their passion impact on the reality of an artistic practice? At Creative Scotland’s recent Visual Arts Sector Review event in Edinburgh, Glasgow-based artist Rachel Maclean talked about this and more. Here we republish an edited extract of her provocation.
Now in its fourth year, the New Art West Midlands exhibition showcases the work of 43 recent graduates from universities in the region, presented across four venues in Birmingham, Coventry and Wolverhampton. Cathy Wade reports from mac and Birmingham Museum and Art Gallery.
The Syllabus is a nomadic artist development programme billed as an alternative to formal art education. At its half-way stage, Anneka French speaks to the project’s organisers, artist Andy Holden and Wysing Arts Centre, and to two of the ten participating artists.
The artist and professor in Fine Arts, Sonia Boyce, is leading a three-year AHRC-funded research project into British Black artists and modernism in the 20th century. She talks to Laura Robertson about why the work needs to be done and what she hopes to achieve.
The Antiuniversity Now! festival is taking place in London and across the UK this weekend, offering an alternative to what its founders describe as ‘the creeping marketisation of education’. Co-organiser Shiri Shalmy explains why she believes traditional academia needs to be challenged.
Crowdsourced from the ideas of Middlesbrough and Teeside residents through a series of workshops and open calls, mima’s current exhibition Localism is about reasserting the importance of the local in both the development of society and the international art world.
Event in London brings together raft of speakers from across the arts sector to discuss funding priorities, partnerships and access – with a welcome focus on the artist.
Edinburgh Art Festival opens this weekend with a programme of new commissions and exhibitions taking place across the city. Richard Taylor takes a look at some of the exhibitions and artists’ talks and tours that offer an alternative take on this year’s festival commission theme, The Improbable City.
A recent symposium in Swansea, organised by Q-Art, brought together speakers from across the UK to explore the impact of location on art education and the art school. Rory Duckhouse reports.
Just because you’re not officially in the Venice Biennale doesn’t mean you can’t be part of the frenzy of activity taking place across the city. Pippa Koszerek highlights some of the alternative and artist-led events taking place during and beyond the Biennale’s three-day preview.
The 56th Venice Biennale, British Art Show 8, Manchester International Festival – we take a month-by-month look at the year ahead to provide a selection of key events for your diary.
Open exhibitions are becoming an increasingly common aspect of the visual arts landscape, with high-profile big hitters such as the BP Portrait Award and Royal Academy Summer Show joined by a growing number of smaller-scale shows. But with most charging an entry fee and with no guarantee of being included, are artists simply being asked to subsidise the sector with their own money? Jack Hutchinson investigates.
The issue of artists’ pay and exploitation in the US is prompting a variety of responses that question what it means to be an artist in the current economic climate. Abigail Satinsky, associate director at Chicago’s Threewalls gallery, surveys the landscape and asks whether we need to look at how we value and define art and artists.
A new home for Glasgow School of Art’s displaced fine art courses is being developed, following the fire that devastated the historic Mackintosh Building earlier this year.
The current British Folk Art exhibition at Tate Britain provides a timely reminder of art as an expression of creativity and emotion. It is, argues Alistair Gentry, a compelling alternative to a ‘sick and twisted’ contemporary art world.
Three weeks after a devastating fire at its historic Charles Rennie Mackintosh-designed building, Glasgow School of Art’s Fine Art students present a showcase of their work that is both economical and emotionally charged.
Another 23 artists have been awarded funding in the latest round of a-n’s New collaborations bursary scheme, which supports critical and artistic development through collaborative working.
What does 2014 have in store in terms of conferences and events, art fairs and festivals? We take a month-by-month look at what the year has to offer.
Up to 3000 people are expected to descend on Scarborough for the Art Party Conference, instigated by the artist Bob and Roberta Smith.
This week’s selection, covering 25-31 October, takes us to New York, Singapore, Utrecht, Krakow and Minneapolis.
Four UK artist-museum partnerships vie for the Contemporary Art Society’s £60,000 Annual Award with strong proposals that focus on artistic responses to collections and archives.
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