Is it acceptable to advertise for unpaid, full-time interns? And what is a reasonable level of pay for the directors of a registered charity that receives over £1million a year from Arts Council England? Two stories about the Serpentine Gallery provide food for thought.
The £60,000 Contemporary Art Society Annual Award has been won by Elizabeth Price, in conjuction with an Oxford-based partnership led by the Ashmolean Museum of Art and Archaeology.
This year’s engage International Conference took place in Birmingham and tackled the current period of ‘extraordinary change’ in art education across the UK while also exploring what an uncertain future may hold. AIR Council member Caroline Wright, who was presenting at the conference, reports.
Exhibition dates and project details announced for second edition of major moving image awards, featuring new commissions by artists in the first five years of their practice.
Sir Anthony Caro, the pre-eminent British sculptor, has died of a heart attack aged 89, his family have confirmed.
Katerina Athanasopoulou has won the Lumen Prize 2013 for her digital fine art work that explores times of crisis through a return to Plato’s hypothesis of the human soul.
Leeds’ new contemporary art space The Tetley launches in November with a programme that looks to ‘unpick the fabric, history and future use’ of its art deco home – the city’s former Tetley Brewery headquarters.
This year’s Bloomberg New Contemporaries features the work of 46 students and recent graduates from UK art schools. Ranging from minimalist purism to a giant ‘fish finger’, it provides a snapshot of current work that delights and bemuses.
Svetlana Fialova has been awarded the £8,000 First Prize at Jerwood Drawing Prize 2013.
A portrait of Glasgow gallerists Toby Webster and Andrew Hamilton, an ‘urban burka’ fashioned from a pair of training shoes, and a woodcut reflecting on the death of a grandparent are among works shortlisted for £30,000 prize.
Bob Dickinson meets Maria Balshaw of Manchester and Whitworth galleries and Sarah Perks of Cornerhouse to discuss the impact of Manchester International Festival’s visual arts programme on the city’s artist community, and the reemergence of performance at the festival.
a-n and The Design Trust launch a new partnership with a panel discussion as part of The Design Trust Start Up Day at New Designers 2013 on 27 June.
Locus+ is celebrating 20 years of innovative visual arts projects and publications by launching its first ever fund-raising Print Portfolio at the Venice Biennale. We find out more from Director and Founder Jon Bewley.
Canerows, bowel movements and a pile of bricks win the fifth Creekside Open run by Art in Perpetuity Trust, Deptford.
The a-n Degree Shows Guide 2013 is out! Bigger and better than ever, the 44-page publication features essays, interviews, listings, tips on collecting and the work and thoughts of students and graduates.
Edinburgh-based jeweller Heather Woof wins the Rising Stars 2013 Professional Development Award, which gained support from a-n.
The third Cr8net creative industries conference, themed around ‘Digital Diversity’, started badly for our correspondent. But thanks to adept chairing and a whirlwind visit from Ed Vaizey, this annual one day event managed to transcend its achingly cool Shoreditch venue to explore some genuinely important issues.
Glasgow International announces the launch of two open funding strands for 2014 including the new Open Glasgow Bursary for final year students and recent graduates.
Jerwood Visual Arts and Forestry Commission England launch £30,000 commission to be realised anywhere within England’s Public Forest Estate.
In January, three UK makers began Watershed’s Craft + Technology Residencies, bringing together making and design with digital, networked technologies. Taking place in Bristol, Plymouth and Falmouth, we talk to the participants and discover how digital technology is influencing their practice.
Stuart Middleton awarded £10,000 prize for his work Jump!
Glasgow’s Tramway is to be the host venue for the 2015 Turner Prize, bringing the UK’s highest profile art prize to Scotland for the first time.
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by Anonymous
ALISN’s Conference for Emerging Organisers explored the complexities of being an artist-organiser, and provided a useful forum for informal networking and discussion.