Sluice_ art fair is to return with its DIY ethos for Frieze Week 2015 and has issued a call for participants from the artist/curator-led and emergent gallery sector.
The 56th Venice Biennale, British Art Show 8, Manchester International Festival – we take a month-by-month look at the year ahead to provide a selection of key events for your diary.
Six a-n writers – based in London, Hastings, Glasgow and Edinburgh – pick, in no particular order, their top five UK exhibitions of the year.
Crafts Council’s recent Make:Shift conference in London addressed how new technologies are driving innovation in craft practice. Inspired by the two-day event, Mike Press of Duncan of Jordanstone College of Art and Design reflects on the challenges and possibilities that lie ahead.
Kelly Best and Georgie Grace have been selected for Jerwood Encounters: 3-Phase – a year-long artist development opportunity with exhibitions at Eastside Projects, Jerwood Space and g39.
This year’s engage International Conference takes place in Leeds in November, and is set to explore how innovation and risk taking in gallery education can often run parallel with a need to disrupt, subvert and ‘unsettle’. We speak to conference programmer Michael Prior to find out more.
MODEL is a new artist-run gallery in Liverpool that aims to provide a flexible and experimental platform for artist-led activity in the city. Laura Robertson pays a visit and speaks to its three founders.
Sarah Perks, Cornerhouse/HOME’s head of visual arts, has taken up a new professorship at Manchester School of Art which aims to strengthen collaboration between academia and the arts in the city.
A new art colony and residency retreat, initiated by artist and priest Father Paul West and curated by Aid & Abet, is being pioneered in the Fenland market town of Wisbech.
London can be an expensive place to be an artist, but what are the advantages of basing your practice outside the capital, and how are those that choose to stay in London making it work? Pippa Koszerek reports from Standpoint Gallery’s recent MAP Symposium.
This year’s Liverpool Biennial is the first that director Sally Tallant can really call her own, having arrived in Liverpool only a few months before the 2012 festival. Now with a new, earlier July start date and a refreshed approach, Laura Robertson finds out what has changed at the UK’s biennial of contemporary art.
Asia Triennial Manchester 2014 returns for its third edition this September, with the theme of ‘Conflict and Compassion’.
As the degree shows season gathers pace, we take a trip to Dundee for the Duncan of Jordanstone College of Art and Design show.
The First Person Plural conference at London’s Media Space set out to reflect on the legacy of photographer Tony Ray-Jones and examine issues associated with photography in the digital age, while also speculating on the medium’s future. Tim Clark reports from the one-day event.
The artist and filmmaker Derek Jarman died on 19 February 1994. To mark 20 years since his death from an AIDS-related illness, a series of events and screenings are happening throughout the year, including two recently opened exhibitions in London. We talk to the shows’ curators and explore the riches on display.
For this year’s London Art Fair, Edel Assanti gallery has been invited to guest curate Photo50, focusing on the distinction between the material and the digital. We catch up with co-director Jeremy Epstein to learn more about the aesthetic dialogues they plan to draw out and the huge changes they are witnessing in the medium of photography.
What does 2014 have in store in terms of conferences and events, art fairs and festivals? We take a month-by-month look at what the year has to offer.
At a-n, we know that small awards to artists specifically for self-determined professional development make a big difference. That’s why we’re extending the artists’ bursary programme in 2014.
Exhibition dates and project details announced for second edition of major moving image awards, featuring new commissions by artists in the first five years of their practice.
A major multi-venue cultural programme of exhibitions covering the last 25 years of contemporary art in Scotland has announced its ambitious, nationwide programme for 2014.
Leeds’ new contemporary art space The Tetley launches in November with a programme that looks to ‘unpick the fabric, history and future use’ of its art deco home – the city’s former Tetley Brewery headquarters.
This weekend, nomadic curatorial and artistic practice, Companis, presents Rude Food Fiesta – a fusion of food, performance and spectacle taking place in Birmingham. Sian Tonkin, one of the event’s organisers, provides a taster.
Five talented emerging makers unveil the results of their £7,500 Jerwood Makers Open commissions this week in London. We talk to the Director of the Jerwood Charitable Foundation and two of this year’s selected makers about the project.
The Centre is Here symposium saw representatives of alternative art schools presenting their visions for art education. Kathryn Ashill, who starts an MA at Glasgow School of Art in September, found plenty to take on board as she prepares to embark on her course.
Programmed in relation to the current Ellen Gallagher exhibition at Tate Modern, the Afrofuturism’s Others seminar provided an enticing introduction to this cultural aesthetic. Artist and curator Sonya Dyer reports.
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