A new contemporary art space in Liverpool run by The White Pube co-founder Gabrielle de la Puente is bucking the art world trend for internationalism by only exhibiting work from artists and other creatives living in or from the Merseyside region. Laura Robertson reports.
The 10th edition of the annual Printemps De L’Art Contemporain festival in Marseille coordinates exhibitions by more than 45 venues across France’s second city and includes a strand on artists from Glasgow, with which the city is twinned. Chris Sharratt reports from the port city that is prioritising contemporary art as it prepares to host Manifesta in two years time.
The annual open submission exhibition for new and recent graduates will this year launch at Liverpool Biennial before moving to London in December.
With ongoing demands for greater equality in the arts, the need to reimagine a more inclusive visual arts sector is increasingly urgent. On the eve of the European Outsider Art Association Conference at Pallant House Gallery in Chichester, Lydia Ashman makes the case for a new approach to ‘outsider’ artists and their art.
With the recent announcement by the Arts Council of Northern Ireland that both QSS and Paragon Studios in Belfast have lost all their annual funding, Damian Magee addresses the impact of the decision on the city’s artist community and argues that it is indicative of a general lack of support for artists living and working in Northern Ireland.
The 60 paintings were selected from over 2,700 entries by a panel of jurors consisting of the artists Marvin Gaye Chetwynd, Lubaina Himid MBE, Bruce McLean and Liu Xiaodong, and curator Jenni Lomax.
With nearly 100 exhibitions and featuring more than 250 artists, the eighth Glasgow International festival, which continues until 7 May, is a bustlingly busy affair taking place in venues across Scotland’s largest city. To help you navigate it, seven writers on the a-n Writer Development Programme 2017-18 offer their recommendations following an intense and varied opening weekend.
As he prepares for his Glasgow International solo show at Kelvin Hall, Jessica Ramm – who is also exhibiting during GI – talks to the Glasgow-based artist about authority, control and power, and how his work offsets some of the grandeur of the city’s colonial past.
For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture of Swansea’s Mission Gallery by reconfiguring existing works alongside new elements. Anneka French discovers more about her distinctive practice that draws on industrial motifs to explore materiality and memory.
Four projects from a-n members, selected from a-n’s busy Events section and including exhibitions and events in Eastbourne, Glasgow and London.
News briefing with national and international stories, including: We Are Not Surprised call on Tate to sever all links with art dealer Anthony D’Offay, Marta Moreira De Almeida appointed deputy director of Serralves Museum Of Contemporary Art in Porto, and Ikon Gallery director Jonathan Watkins to curate Quebec City’s ninth Manif d’art biennial.
Five projects from a-n members, selected from a-n’s busy Events section and including exhibitions in Aberdeen, Eastbourne, Glasgow and London.
The CVAN network for the West Midlands hosts its annual open entry exhibition for recent graduates from six art schools in the region with a number of prizes and awards announced in partnership with Trust New Art and Cass Art.
News briefing with national and international stories, including: Arts Alive Wales to be rebranded as Peak; Guggenheim curator offered Trump White House loan of Maurizio Cattelan’s solid gold functioning toilet.
What does 2018 have in store in terms of exhibitions, art fairs, festivals, conferences and other events? We take a month-by-month look at what the year ahead has to offer.
Alongside the launch of its first curated programme, this week Tendency Towards opens its inaugural exhibition – an interdisciplinary showcase of graduate artists from four Scottish art schools. Richard Taylor finds out more about this new artist-run initiative in Scotland’s ‘Granite City’.
Art UK has begun a three-year project to catalogue the UK’s publicly-owned sculpture collection.
A new exhibition and free pop-up summer school from Create London and the William Morris Gallery celebrates the cultural and educational legacy of Walthamstow School of Art, which from 1957 to 1967 became a hotbed of artistic ideas and talent. Lydia Ashman talks to two of the people behind the ‘Be Magnificent’ project.
We pick five of our favourite artist responses to the general election that have been featured on Instagram, including a print at home poster and a game pitching Corbyn vs May.
Market Gallery’s recent Free Market symposium – supported by an a-n Artist Led Bursary – brought together thinkers and doers to discuss issues around ‘cultural resources in crisis’ and was in part informed by the Glasgow gallery’s own precarious situation. Chris Sharratt reports on three days of thinking beyond the usual.
On the back on its recently published general election manifesto for the creative industries, the federation has announced a series of events where senior figures from the four main UK political parties will answer questions about their plans for the arts and creative industries.
London and Scotland-based artistic duo Thomson & Craighead have created a new generative moving image work for the Look Again festival in Aberdeen. They talk to Jack Hutchinson about the impact of the internet on our lives and how splitting their time between rural and urban areas has benefitted their practice.
A weekly briefing featuring national and international art news, including: Carolee Schneemann to be awarded Golden Lion for Lifetime Achievement at 57th Venice Biennale, internships threaten diversity in UK creative industries.
In response to a call out earlier this year that sought proposals exploring how artists and artists’ groups adapt to navigate turbulent cultural and political landscapes, six artist-led groups have been awarded bursaries to develop their research.
The artist receives a £10,000 commission to produce a new film work, to be premiered at next year’s Glasgow Film Festival.
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