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engage conference 2015: challenging, provocative and young at heart

This year’s engage International Conference in Glasgow focused on young people working with art and artists, with a remit to explore the gallery as a school, the importance of cross-disciplinary engagement, and the ethics of peer-led practice. But, as Moira Jeffrey reports, much of the lively and challenging discussion was wide-ranging and off script.

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Turner shortlisted artist: the prize machine stifles art

In a piece originally published by The Conversation, artist and 1997 Turner Prize nominee Christine Borland, professor of art at Northumbria University, argues that the prize needs to transcend its own ‘structures of power’ and instead find a way for the art itself to be centre stage.

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A Q&A with… Phil Collins, artist

Berlin-based artist Phil Collins’ latest film installation at Gallery of Modern Art in Glasgow has developed from an 82-minute long film he made over the course of a year in collaboration with the city’s people and its institutions. Chris Sharratt speaks to the artist about the development of the project, his interest in Glasgow and its inhabitants, and the transformative power of a pop song.

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A Q&A with… Liz West, artist

Manchester-based Liz West has opened her highest value commission to date at Bradford’s National Media Museum – the immersive light-based installation, An Additive Mix. She speaks to Pippa Koszerek about the making process, starting out and making the jump to full-time artist.

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Vote Art goes live from Aberdeen to Plymouth

Artworks encouraging people to vote in the general election will be appearing on billboards around the UK from this Thursday, 23 April, with a new work by first-time-voter Jordan Alex Smith joining those of the five already announced artists.

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A Q&A with… Catherine Street, artist

The Edinburgh-based artist talks about how 12 months of residencies in Edinburgh, Aberdeen and Abroath have led to a solo exhibition at Glasgow School of Art which uses film, audio and performance to explore the limits of her body as a material.

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