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NOW SHOWING #230: The week’s top exhibitions

This week’s selection of recommended shows includes an exploration of language at Holden Gallery, Manchester, Glenn Brown’s intricate paintings at Gagosian and the winner of last year’s Woon Foundation Art Prize, Joy Labinjo, at London’s Morley Gallery.

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NOW SHOWING #229: The week’s top exhibitions

This week’s selection of recommended shows includes an exploration of masculinity at Vane in Newcastle and a group show that traces the acoustic lives of different cities and places across the Arab world at Nottingham Contemporary.

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A Q&A with… Clare Woods, painter with a sculptural approach

The Herefordshire-based painter Clare Woods has developed a series of eight large-scale oil on aluminium works for her new show at Warwick Arts Centre’s Mead Gallery, reflecting an ongoing move away from abstraction towards more figurative paintings. Anneka French talks to the artist about scale, process and her photographic source material.

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A Q&A with… Layla Curtis, artist and explorer of places

With support from a-n, the London-based artist has launched an online store offering high quality, affordable, limited edition works and publications by artists dedicated to exploring place. Jack Hutchinson talks to her about online sales and research beyond the art world.

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NOW SHOWING #226: The week’s top exhibitions

This week’s selection of recommended shows includes sculpture at the New Art Centre, Wiltshire, Rose Wylie at the Serpentine’s Sackler Gallery, London, plus a different take on the threat of climate change at the University of Hertfordshire.

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NOW SHOWING #225: The week’s top exhibitions

This week’s selection of recommended shows includes an enigmatic nighttime mise-en-scene in London, an installation exploring mental health inequalities across sites in Edinburgh and Glasgow, and large-scale sculptures in Hull.

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A Q&A with… Helen Cammock, artist shortlisted for Max Mara Art Prize for Women

The artist Helen Cammock’s exhibition ‘Shouting in Whispers’ at Cubitt Gallery, includes an hour-long film of the same title that features historical footage of protest and explores the idea of multiple histories. Fisun Güner talks to her about photography, the importance of words in her work, and discovering the writing of James Baldwin.

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