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A Q&A with… Simon Roberts, election photographer

To coincide with the general election, Photofusion in London is showing Simon Roberts’ The Election Project, a body of work documenting the 2010 election campaign. Here he discusses the photographs in light of the current political climate, the symbolic nature of landscape photography, and his attempts to democratise the artistic process.

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PICTURED #41: Regine Petersen, Find a Fallen Star

Published on the occasion of her solo exhibition at Foam in Amsterdam, Regine Petersen’s Find a Fallen Star is made up of three hardcover books in one slipcase that combine photography with archival material to narrate and establish a small history of meteorite incidents.

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PICTURED #40: Taryn Simon, Rear Views …

Taryn’s Simon’s new title, Rear Views, A Star-forming Nebula, and the Office of Foreign Propaganda – published on the occasion of a major exhibition at Jeu de Paume, Paris – is more than a catalogue. Tim Clark argues that it’s a veritable tome of essays, images and ideas on the nature of photographic information and misinterpretation.

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PICTURED #39: Mike Brodie, Tones of Dirt and Bone

Twin Palms Publishers have just released a new photobook from Mike Brodie, Tones of Dirt and Bone, lifting the lid on the photographer-cum-mechanic’s unseen images of the people he met while hopping trains in the US. Tim Clark is intrigued.

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Events #5: The week ahead from a-n’s members

This week our what’s on highlights include search-engine compiled artistic biographies, an interactive art game and an immersive ‘cocoon’ – all drawn from postings by a-n’s members on the site’s Events section.

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How artists see themselves: the art of the self-portrait

Turner Contemporary’s Self exhibition looks at artists’ self-portraits from the 17th century to the present day, exploring the changing way artists have seen themselves – and society has seen artists. Dany Louise reports from Margate.

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PICTURED #37: Alec Soth, Songbook

Songbook, the much anticipated photobook from leading photographer Alec Soth, chronicles the solitary experiences of Americans through a blend of lyrical portraits and empty landscapes. Tim Clark considers the images of those longing for connection in an era of virtual networks.

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