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It’s not exactly a vintage year for the highly-coveted Deutsche Börse Photography Prize, hosted by The Photographers’ Gallery, but one shortlisted artist in particular makes a bold statement for the award.

This week’s snapshot of international art action sees us talking about revolution in Finland, exploring the virtual and the real in the Netherlands, contemporary Arab art in the USA, and going deep into the Congo in Australia.

This week’s must-see shows include the Silver Lion-winning French artist Camille Henrot at Chisenhale, London, German artist John Ebner at Vane, Newcastle, and science-themed portraiture at the Scottish National Portrait Gallery in Edinburgh.

This week our snapshot of what’s happening internationally finds us in Madrid, Barcelona, Beirut, Zurich and New York.

LOCWS International announces its next programme of temporary public art commissions, with 13 new works from artists including Jeremy Deller, Bob and Roberta Smith and Ross Sinclair.

Glasgow-based artist Corin Sworn has been announced as the winner of the biennial Max Mara Art Prize for Women.

Ikon Gallery will be looking back at key periods from its 50 year history as it celebrates its half century this year, starting with two exhibitions by Jamal Penjweny and John Salt.

At a-n, we know that small awards to artists specifically for self-determined professional development make a big difference. That’s why we’re extending the artists’ bursary programme in 2014.

Leading ‘contemporary miniaturist’ Imran Qureshi has completed the latest Art on the Underground commission, celebrating 150 years of London’s underground tube network.

The north east England-based biennial of contemporary art, film and music has announced programme details for its 2014 edition, which takes the idea of extraction as its curated theme.

Following a public consultation, Conrad Shawcross has been selected to create a new commission for Dulwich Park in south London, to honour and replace a stolen work by Barbara Hepworth.

The programme for the sixth edition of Glasgow International Festival of Visual Art, the first under new Director Sarah McCrory, combines the local and international to create a busy 18 days of contemporary art activity across the city.

This week’s look at the next seven days (4-10 October 2013) on the international art scene takes us to Italy, the USA, Austria and South Korea, with events, art fairs and new permanent commissions.

Today sees the launch of a new a-n bursary scheme that aims to support artists as they explore future collaborations.

This week’s selection includes figurative painting in Edinburgh, site-specific sonicness in Sheffield and a bit of English Magic in London.

The five nominees for this year’s Max Mara prize for UK-based women artists have been announced by the Whitechapel Gallery.

In the first of a new series focusing on visually-rich art books and publications, Tim Clark looks at the disturbingly sublime images of the photographer Richard Mosse, whose images from wartorn Congo are currently showing in Venice and are to be featured in a 240-page book from Aperture.

Peter Heslip, Arts Council England’s new Director of Visual Arts, oversees a portfolio of 144 funded visual arts organisations and leads on museum funding in London. Two months into his new job, and on his first day in the office after a trip to Venice, we talk to him about supporting artists, communicating with the public and the realities of the current funding environment.

In a major speech, the Scottish Government’s Culture Secretary Fiona Hyslop has defended the idea of art for art’s sake and attacked the UK Government’s focus on the economic value of culture.

The William Morris Gallery in Walthamstow, which reopened last year after a £5million redevelopment, has won the Art Fund’s £100,000 Museum of the Year prize.