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a-n member Kathryn Maple speaks to Andrew Thompson about what it means to win the prize, and finding inspiration during lockdown.

The Birmingham-based artist’s exhibition ‘Vanishing Point’ addresses the underrepresentation of black figures in Western history and presents a new group of works on paper alongside two paintings loaned from the National Gallery. Anneka French finds out more.

For ‘A Woman’s Place at Knole’, six female artists including 2017 Turner Prize winner Lubaina Himid have responded to the usually hidden, gendered stories of an historic National Trust property in Kent to produce artworks that span painting, sculpture, film and online. Judith Alder reports.

This Christmas, ditch the high street and discover original artworks and handcrafted gifts by independent artists and makers who will be opening their studios or putting up their market stalls at a range of venues throughout the UK.

Following a project this year working with Yezidi women who escaped ISIS captivity, Hannah Rose Thomas continues her MA studies in London. Richard Taylor finds out how her interest in the diversity of people and cultures, as well as her commitment to relief work, drives a unique approach to portraiture.

Culminating in a day-long symposium on the ‘ideas, impact and architecture’ of Robin Hood Gardens’ architects Alison and Peter Smithson, the group show ‘Parallel (of Life and) Architecture’ includes a collaboration between Assemble and London-based artist Simon Terrill. Chris Sharratt finds out more.

Ten artists and a-n members were awarded an a-n bursary to visit to the 57th Venice Biennale. They have been sharing their views via a-n Reviews and Blogs. AIR Council member Binita Walia, who visited the Venice Biennale at the same time, presents a collection of their thoughts and reflections.

Working with fifth generation tightrope walker Rasul Abakarov within the vast landscape of Dagestan, artist Taus Makhacheva’s film Tightrope has been lauded by critics following its exhibition at the Venice Biennale. Pippa Koszerek talks to the artist about the processes and risks involved in her work.

Talks, tours, seminars, workshops, DIY building, chopping, cooking, eating: just some of the activities undertaken by artists at a-n’s Assembly events throughout May and June 2017. Here we pull together a collection of images from the events in Margate, Liverpool, Bristol, Newcastle and Leeds.

For her Venice Biennale film, Spite Your Face, Scottish artist Rachel Maclean has created a re-working of the Pinnocchio story that explores power, political lies and the rise of populism. Moira Jeffrey talks to her about the themes and form of the work.

Five a-n News writers – based in London, Birmingham and Glasgow – pick, in no particular order, their top five exhibitions of the year.

Artists Lucy Parker, Rachel Pimm and Katie Schwab present newly commissioned work in a show marking the 10th anniversary of Jerwood Visual Arts’ national programme supporting visual arts practice.

Edinburgh Art Festival’s Platform exhibition provides early career artists the opportunity to develop and show work at this high-profile annual festival. Richard Taylor talks with one of this year’s artists whose intriguing commissioned work was built in the Scottish Highlands and fine-tuned through collaboration during residencies in Abroath and Holland.

1000 Words Editor, Tim Clark selects his five must-see exhibitions from Les Rencontres d’Arles 2016 – the bright, bushy-tailed festival of photography in the south of France now celebrating its 47th year.

Dale Lewis is one of three Jerwood Painting Fellows currently exhibiting work at Jerwood Space, London. He talks to Fisun Guner about working with mentor Dan Coombs, his mind-crushing experience as an artist’s assistant, and what inspires his open, chaotic and darkly humorous paintings.

In the Shadow of the Pyramids – a searing study of the impact of the Egyptian revolution on everyday people – has been shortlisted for the £30,000 Deutsche Börse Photography Foundation Prize 2016. Tim Clark catches up with Laura El-Tantawy on the occasion of her exhibition at The Photographers’ Gallery, London.

The Glasgow artist Kevin Hutcheson died unexpectedly prior to April’s Glasgow International as he was preparing to open a solo show as part of the festival. Friends and colleagues remember this unassuming master of collage and stalwart of the city’s art scene.

Radical Craft: Alternative Ways of Making is a new touring exhibition that presents works by renowned outsider artists alongside those of self-taught artists who face barriers to the art world because of health, disability, social circumstance or isolation.

CVAN’s recent The Value of Artists event at Leeds Art Gallery was billed as a ‘national conversation’. Leeds-based artist Amelia Crouch went along and found plenty to talk about but room for more discussion.

With International Women’s Day 2016 on Tuesday 8 March, we highlight a selection of exhibitions and events by women taking place across the UK.

Out There: Our Post-War Public Art focuses on the period 1945-85 including 1972’s City Sculpture Project, which saw artworks temporarily sited in eight cities across the UK. After attending an event featuring Sculpture Project artists Garth Evans and Liliane Lijn, a-n Writer Development Programme participant James Steventon considers the notion of ‘shelf life’ in public art.

In the latest in her series on artists’ books, Sarah Bodman looks ahead to this year’s Artists’ BookMarket at Fruitmarket Gallery and picks out some highlights.

The UTOPIA 2016 festival is a year-long celebration at Somerset House, London marking 500 years since the publication of Thomas More’s influential text. Initiator and artistic advisor Ruth Potts explains how the festival came about, and explores the relationship between its programming and More’s groundbreaking ideas.

Jerwood Visual Arts commences its 10th anniversary year with an exhibition that explores how copyright legislation impacts on the work artists make. Pippa Koszerek speaks to Common Property curator Hannah Pierce and two of the commissioned artists, Owen G. Parry and Antonio Roberts.