John Moores Painting Prize 2012
Registration is now closed for the John Moores Painting Prize 2012 and the judging process is underway.
Registration is now closed for the John Moores Painting Prize 2012 and the judging process is underway.
Tim Birch profiles John Moores Contemporary Painting Prize in the build up to the twenty-fifth exhibition.
The shortlist for the John Moores 25 Contemporary Painting Prize was announced in July.
October saw the opening of the John Moores Painting Prize 2012. Judges this year are artists Fiona Banner, Angela de la Cruz and George Shaw with Whitechapel Art Gallery Director Iwona Blazwick and Creative director of the BBC, Alan Yentob.
This month’s selection of shortlists and winners.
The final shortlist for the UK’s biggest painting competition, the John Moores Contemporary Painting Prize, will be on display at the Walker Art Gallery 18 September 2010 – 3 January 2011, within the Liverpool Biennial.
Graham Crowley is one of the most distinguished living painters in the UK today. As the deadline closes on entry to the John Moores 2010 competition, Kate Brundrett asked him for his views on the competition’s significance and for his ‘take’ on the state of contemporary art practice.
With entry to John Moores closed by the time you read this, you’re either registered and in with a chance for the
Nina Madden gives an overview of some of the visual art prizes selected from open submission competitions.
The UK boasts literally hundreds of visual arts competitions annually. Here, we look at some of the most significant opens and prizes on offer this year.
Alice Bradshaw talks to Nick Fox about cuts in art education, the John Moores Painting Prize, balancing work between two cities, and being called a painter.
A collection of material relating to open exhibitions, including top tips on assessing and applying for open exhibitions and on setting one up.
Angela Smith, Canine, gloss, enamel and oil on canvas, 38x38cm, 2011.
Reyahn King explores the role of galleries within professional development for visual artists. In the current climate, how can professional development for visual artists be continued and improved? This paper suggests that one answer lies in the relationship between publicly-funded regional galleries and visual artists becoming wider, deeper, and more strongly valued.
A selection of post-graduate study routes on offer across the UK.
Virginia Verran discusses winning the Jerwood Drawing Prize, the importance of art education and the multifaceted nature of her practice.
In December, Scottish Arts Council awarded major bursaries to four leading contemporary artists for the development of future work, and as an investment in their creative talent.
Winners of the decibel visual arts awards, aimed at black and Asian artists, and curators, were announced in March.
Artist’s jobs and opportunities 1989-2003
Roy Exley reports on the ‘Emergency’ exhibition and symposium in Portsmouth.
Rosemary Shirley visits Reading-based gallery and studio complex Open Hand Open Space and discovers what makes the organisation tick.
Planning is now underway for the third Liverpool Biennial in 2004, a foreground for the City of Culture programme in 2008. For the 2002 event, over 180,000 visits were recorded at the UK’s only biennial of contemporary visual art and […]
Louise Coysh visited ‘Fresh Art’ at the Business Design Centre, London to find out how the fair met with the exhibiting artists’ expectations.