Sonya Dyer considers the key challenges facing mid-career artists and makers in this essay written in response to Pivotal Moments, the conference she organised in September 2018 in collaboration with the SPACE-led professional development programme London Creative Network.
Directed by artist, curator and writer Sonya Dyer, the Artists and curators talking programme of practice-led discussions on hospitality, space and contemporary art making, provided much food for thought. Here, Sonya Dyer explores some of the issues and outcomes.
Sonya Dyer reflects on the three core concerns that came out of the ‘Artists and curators talking’ programme – collaboration, commonwealth and community.
Sonya Dyer reports from ‘Structure and Space’ the final event in the Artists and curators talking series, held at Wysing Arts Centre in Cambridgeshire.
Sonya Dyer reports from ‘Hospitality’ the third event in the Artists and curators talking series, held at East Street Arts: Union 105 in Leeds, and asks ‘What is the relationship between hospitality and intimacy?’.
Sonya Dyer reports from the second event of the series, which confronted the difficulties faced by artists from outside the EU coming to work in Britain. Artists Sinead O’Donnell (UK) and Poshya Kakl (Iraq) used Skype to perform an action with the Cardiff audience, bridging the gap between ‘here’ and ‘there’ – the liminal space.
Sonya Dyer reports from the first Artists and curators talking event – Neighbourhoods and Neighbourliness – which explored the landscape and conditions for artists and curators working directly with communities.
A-n and Axis are launching a new programme of dynamic, practice-led discussions on hospitality, space and contemporary art making, researched and directed by artist, curator and writer Sonya Dyer. Here, she sets out her thinking for the programme.
It’s great to have critical writing by Sonya Dyer on the Mobile Conference in the May issue of a-n Magazine, but can I correct some inaccuracies in her coverage?
Peckham Space is open to continuing the debate on Mobile Conference initiated by Sonya Dyer in a-n Magazine (Debate, May 2009).
Sonya Dyer responds to the Mobile Conference event at Peckham Space, 15 March
Sonya Dyer explores Karen Mirza and Brad Butler’s collaborative practice as artist filmmakers.
Sonya Dyer on the development of Suki Chan’s practice.
Sonya Dyer’s publication questions assumptions about non-white artists, curators and administrators that shape the current diversity landscape, and suggests alternative ways forward.
Published this month is the fourth in the a-n Research paper series presenting and distributing across our wide constituency Sonya Dyers Boxed in: how cultural diversity policies constrict black artists1
In this motivational and practical guide, artist parents share their top tips and survival strategies for maintaining and developing an art practice whilst raising children.
We’re proud of what a-n Magazine has achieved over its thirty-two years. On the occasion of the last print edition we invited many of our collaborators and contributors to help us celebrate and mark this moment by giving us a ‘few words’ – a short testimonial of what a-n means to them. Here, they reflect on our significant role for artists and on the value of a-n Magazine, publications or initiatives.
Pippa Koszerek and Eleonora Schinella consider relationships between artists, activism and social justice following the 2011 Triangle Network conference in London.
Evidence-based recommendations on: Identifying the ‘new practices’ model, Valuing peer networks, Redefining public accountability, Supporting location and community and New ‘brand image’ for artists.
As a new generation of artists embark on a career in the visual arts this month, the #degreeshows Twitter campaign again draws attention to their sheer hard work, determination and achievements during an exceptional period in higher education.
Including details of the four events, the artists and curators who took part, and the a-n / Axis partnership.
Artists and curators talking in Leeds, Contemporary Art Society in Newcastle and State of the Arts conference in London.
In Time, a collection of case studies recently published by Live Art UK represents some of the innovative and pioneering ways in which live art has both posed and responded to exciting cultural challenges of our times.
In a recent editorial I recalled a-n’s Code of Practice for artists and how its list of key principles can be used to inform decision making and negotiations in all aspects of an artist’s professional work. The first of the four principles Contribute Confidently seems particularly apt to this issue, in which the theme of Risk is identified as an underlying condition to several stories and features.
Suki Chan’s first exhibition as a curator takes place at Jerwood Space, London, 3 March – 1 April.