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Gordon Dalton reports on the Curating Now symposium at the Irish Museum of Modern Art hoping to find the future of curating in museums.

Projects and collaborations rarely spring into existence fully formed. Hilary Williams examines a short project that developed into a major programme, led to the setting up of a new arts business, and to jeweller Mah Rana uncovering new tracts of material and experience.

A recent spate of public utterances by influential policy makers and educators suggests that the visual arts may need to develop a more favourable relationship with language. Some argue that it should be better harnessed to support artists; others think language should just back off and let the visual reclaim its rightful place. Paul Glinkowski interprets.

Studio-based artists have been made vulnerable by the recent property boom as run-down former industrial buildings attract developers with an eye for a lucrative conversion. Some studio providers though, have managed to stay put and in some cases have moved on to better premises. Paul Glinkowski offers this progress report on artist-led studios projects in Leeds and in Stroud.

Paul Glinkowski looks at the experiences of John Keane and Frauke Eigen, artists who have worked in war-torn locations outside of official state sponsored programmes, and talks to Dominic Nutt of Christian Aid who worked with Keane in Israel and Palestine.

International fairs are a great opportunity for researching galleries and making contacts, here is a selection of just some of the 150 showing at this year’s Frieze Art Fair.

Paul Stone examines some of the issues arising from the a-n event in June.

Sally O’Reilly talks to Penny Johnson, Director of the Government Art Collection, in the sixth and final article in the ‘Crossing Over’ series.

Giles Sutherland looks at the relationship between glass artist Keiko Mukaide and Edinburgh College of Art.