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The trust’s coordinator Leila Dawney explains the organisation’s artist-led ethos and its work to support the arts in Birmingham.

Louise Coysh visited ‘Fresh Art’ at the Business Design Centre, London to find out how the fair met with the exhibiting artists’ expectations.

Fiona Rutherford reports on her experience of a Crafts Council research trip to Japan and the lasting contacts she made.

This month Kate Fowle has been talking to Christopher Cozier about his experiences as an artist in Port of Spain, Trinidad.

Akinbowale Sankofa of East Midlands African-Caribbean Arts (EMACA) discusses the aims and objectives of this East Midlands-based organisation.

Brigid Howarth investigates the world of arts funding and reveals a network of funding routes available to emerging artists.

Three artists report on their residency experiences in different countries.

Nicola Triscott expands upon The Arts Catalyst’s mission to extend, promote and activate a fundamental shift in the dialogue between art and science and its perception by the public.

Julie Read reports on her residency in Basel and gives an overview of the artscene in Switzerland.

With a breadth of approaches to finding the perfect workspace, Brigid Howarth talks to artists about their different needs and experiences and explores a variety of studio set-ups.

The rise of independent artist-run spaces across the UK, and a seemingly impenetrable gallery circuit in London, appear poles apart. Gordon Dalton in Edinburgh and Tim Birch in Manchester visit two young, ‘commercially-minded’ spaces that have picked up on this, and are encouraging an art market in exciting and challenging contemporary work outside London.

Wendy Murray gives the lowdown on support structures and organisations for artists in the Netherlands.

Neil Purcell explains the background to this artists’ group and its first project.

This is the first of a series of articles that focus on artists living and working in different cities across the world. Each gives insight into the artist’s practice, the influence of the city and their thoughts on the relationships between the two. The artist’s have also been asked to identify places they recommend for visitors, as well as key arts organisations to contact for further information.

Brigid Howarth talks to recipients of the Clerkenwell Award showcased in the ‘Creative Collective’ exhibition. Run by Clerkenwell Green Association the scheme assists the start up of small creative businesses in a supportive environment.

Phoenix Arts Association Ltd (Phoenix) is an artist-led organisation with charitable status which provides public access to the arts and arts education, and supplies affordable artists’ studios and programmes to aid development.