MA and Post-Graduate course index
Further details from a selection of this month’s MA and post-graduate course advertisers.
Further details from a selection of this month’s MA and post-graduate course advertisers.
Jane Watt reports on the Brighton symposium Is Design Good For You? considering the range of projects that artists undertake in healthcare environments.
In a response to a request to consider issues around ‘rural arts practice’, Veronica Vickery writes in the light of the events, performances, installations and seminar that made up BOS-08 and a BOSarts research trip, funded by ALIAS to Grizedale and Allenheads Arts in August 2008.
St Andrews Museum, Fife
13 September – 2 November
Jane Watt delves into the process of commissioning and looks at the organisations and bodies offering opportunities to artists at all stages of their careers. Fully updated for 2008.
Felicity Shilingford discusses collaboration and networking within her practice.
Artist Lynn Harris and artist/curator Paul Stanley talk about working together in the latest in our Collaborative relationships series.
Updated for 2008 Research papers, Indexing intelligence is a listing with live weblinks of accessible ‘facts and figures’, research studies, conference reports, publications and other resources that are pertinent to all those working in the visual arts, compiled and edited […]
Paul Stone explores the wide range of International residency options available to artists and offers a framework for considering what you might want from a residency.
The continual shaving of UK arts budgets, cuts in mainstream grants programmes linked with escalating overheads and news of an ever-deepening economic downturn arent good news for visual artists who depend largely on winning freelance contracts and getting good responses to their project proposals.
Emma Cocker discusses the practice of wandering, and considers the critical resonances of such an artform.
There are now over 200 contemporary art biennials across the globe, compared with four or five or twenty years ago.
Sonya Dyer’s publication questions assumptions about non-white artists, curators and administrators that shape the current diversity landscape, and suggests alternative ways forward.
Sara Raza on Grace Ndiritu, a young London based artist who is enjoying an upwards ascent with an impressive portfolio of national and international exhibitions, that present a fresh style of politics and performativity.
Born in Kabul in 1973, Lida Abdul has returned to live there. Kim Dhillon looks at her practice, working accross various media, that fuses Western formalist traditions with numerous aesthetic influences.
It would seem that politics has taken centre stage in contemporary art.
One of the main tendencies in public space has been to minimise risk providing mini-cities in which risk has been all but removed.
Martin Prothero, whose approach to his practice was featured in a-ns Artists stories in 2003, was one of eight artists commissioned to carry out research projects for RANE (Research in Art Nature & Environment).
Views on cultural policy and the environment for contemporary practice.
Artists motivations when working in the public realm.
Biographies of Import/Export speakers.
What if every school had a studio where children, parents, carers and teachers had the opportunity to experience art and discuss ideas with artists on a daily basis? What if every regeneration programme included a team of artists from the […]
Curated space looks at strategies and interventions within artist-curator space. Devised and conducted by Manick Govinda, contributors include Gavin Wade, Erika Tan, Jeremy Deller and David A. Bailey.
Curated space artists’ interviews in full.
Read the Social space interviews in full along with Becky Shaw’s Introduction and Matters arising.
Profiles of international models researched for Future space.
Future space addresses the future roles and functions of artists’ workspace. It introduces current strategies and concerns and places them in the context of artists’ developing practice and critical frameworks using as a prompt recent interviews with artists and other professionals. What will artists’ practice and resources be like in 2015?
pdf. Requires pdf reader.