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Graham Parker discusses his approach to his role as Visual Arts Officer at Salford University.

In his opening speech at the International Ceramics Festival in Aberystwyth, Garth Clark, owner of the Garth Clark Gallery in New York, remarked on the way potters tend to “herd together” not, he emphasised, like distracted lemmings, but like caribou, moving with a purpose towards their goal.

Art has always had the ability for convergence and understanding amongst people, irrespective of language barriers. Internationalism in art is that space that transcends fixed geographies, identities and positions to create a new coherence from diverse dialogues. As an artist […]

Brigid Howarth investigates the world of arts funding and reveals a network of funding routes available to emerging artists.

Richard Noyce gives an overview of the thriving artscene in one of the Baltic states, and looks at some of the obstacles faced by artists there as they move towards integration within the European Union.

The fourth article in this series pays a visit to Copenhagen in Denmark, where Henrik Plenge Jakobsen is immersed in some big issues. “When I think of Western culture I get a mental image of exclusion, particularly in relation to the individual versus society. The concept of ‘liberty’ is hard to transgress. Because of this it becomes easier to limit yourself and your attitudes toward life in general.”

With a breadth of approaches to finding the perfect workspace, Brigid Howarth talks to artists about their different needs and experiences and explores a variety of studio set-ups.

Advice for photographic and digital image-makers on promoting your work in an expanding environment.

Wendy Murray gives the lowdown on support structures and organisations for artists in the Netherlands.

A recurring issue for artists is the constant search for a suitable space in which to work and exhibit. Artists have increasingly addressed this through improvisation and adaptability, to the point where spaces run by artist collectives have become almost synonymous with formerly disused (or unwanted) spaces. As Malcolm Dickson noted in his comment on artist-run spaces (October issue) – “The motivation now is more pragmatic by necessity, in that you just have to do it in order to get work shown (whether your own or other artists)”.

Painter Deirdre King reveals her strategy for getting started as a professional artist.