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Heather Rigg reports on a professional development scheme in Suffolk that provides a package of support for artists in that region.

Every June Basel becomes the Mecca of the international art world. The vast ‘Art 33 Basel’ and the young art fair ‘Liste’ display the mechanisms of the international art market on a scale of no other event. Exhibiting at these events is a competitive affair, and brings exposure to some of the world’s most important collectors and curators. Beverley Hood reports.

Erik Hagoort profiles the Amsterdam-based independent artists’ information agency – Trans Artists – the latest in our series of developing international partners.

Paul Bonaventura talks to Tim Eastop, Senior Visual Arts Officer at the Arts Council of England, about a new initiative to create international practice-based opportunities for individual artists.

Gemma de Cruz gives the rundown on what’s what at the 14th London Art Fair.

A new artist-initiated event took place across Hull during September. Here, David Briers explores how the event fits into the city’s existing arts infrastructure and discusses some of the national and European links it generated.

Nick Lambrianou visited this bi-annual showcase to meet some of the emerging artists who have been awarded fellowships from the trust.

The Live Art Development Agency (LADA) is a small independent organisation with a big remit! It exists to support the development of individual artists and the live art sector in London.

Roy Exley charts the purpose of paint in the work of four artists.

The weeks and months after graduation can be a daunting time. After three years or more of support and guidance suddenly it’s time to go it alone. There are many different ways to pursue your career as a professional artist and no two people will follow the same path. Here, four recent art graduates describe their journeys: from joining a peer-led network to working as an artist’s assistant, they each have a different story to tell.

In 1999 John Carson made a passionate call for a more rigorous approach to arming graduating art students with knowledge of where their work and practice fitted within the wider world and interfaced with audiences. Sarah Rowles, commissioned by a-n to research the state of professional practice provision on BA fine and applied art courses, offers a perspective on the situation now.

Approached by Modern Art Oxford to deliver art sessions at a Sure Start children’s centre in the Rose Hill area of Oxford, artist Jon Lockhart began a four-year residency at the centre as part of MAO’s ambitious Paul Hamlyn Foundation funded offsite programme.

A selection of projects that focus on the development of artists’ practice and their engagement with local communities.