A-n’s Collaborative relationships series exposes the working relationships between artists and the wide range of professionals they choose to collaborate with. In this article, artist David Cotterrell and Projects Director Carolyn Black reflect on the realisation of a unique and demanding work for the Forest of Dean Sculpture Trail.
Jack Hutchinson profiles the Jerwood Drawing Prize in conversation with director and founder Anita Taylor, this year’s First Prize winner Virginia Verran, and Student Prize winner Warren Andrews.
A guide to career development and training opportunities as well as related services and resources that are designed to help artists and makers take their practice to the next level.
LiangWest is a “new prototype of gallery for a new generation of artists whose artistic agendas are relevant to contemporary ideals”. For this month’s Collaborative relationships a-n Magazine Coordinator Chris Brown talks to proprietors Theresa Liang and William West and artist Prem Sahib. They discuss the importance of peer support, and describe how they negotiate their ongoing relationship and their forthcoming exhibition project ‘Boyfriend Material’
Emily Speed looks at the complex nature of making a living as an artist with reference to profiles of four artists, all based in Austria and Germany, whom she worked alongside at the Salzamt, Linz.
Some tips and advice on strategies and approaches.
Some tips and advice on your strategies and approaches for artists and arts freelancers.
Artists embracing a do-it-yourself approach to the promotion of their practice using new technologies, open source software and online communities, was the idea behind two seminars organised in partnership with Chapter Arts Centre and WARP at g39.
Artist Ania Bas and Exhibitions Officer Helen Jones reflect on an innovative approach to being an artist-in-residence at The New Art Gallery Walsall.
A guide to career development and training opportunities as well as related services and resources that are designed to help artists take their practice to the next level.
What is an artist-curator? What makes a good collaborative partnership between a curator and an artist? What financial, practical and critical support is available to curators? Do you work with an organisation or go it alone?
An overview of curatorial practice, highlights profiles and other resources on this topic.
Brian McClave and Gavin Peacock recall how they joined forces within their artistic careers, and discuss their motives for collaborating.
Based in Basingstoke, Hampshire arts education charity The Making was established to promote talent, excellence and innovation in contemporary craft, art and design in Hampshire and the South East.
Tim Birch profiles John Moores Contemporary Painting Prize in the build up to the twenty-fifth exhibition.
Paul Stone explores the wide range of International residency options available to artists and offers a framework for considering what you might want from a residency.
Kate Stoddart profiles Adam Paxon, who makes one-off sculptural jewellery in plastic, covering his career development and impact of winning prizes like Jerwood Applied Arts Prize in 2007.
Kate Stoddart profiles jeweller Cynthia Cousens, looking specifically at awards, exhibitions and research projects.
A companion listing to Indexing intelligence publication.
Penny Jones profiles Fred Baier exploring the development of his career since the 1970s and commissions for an impressive range of private and public clients.
Frances Lord profiles Ismini Samanidou who designs woven fabrics for interior spaces, ranging from one-off pieces to limited edition textiles.
Frances Lord profiles Linda Florence, who creates wallpapers, flooring surfaces and interior textiles for domestic and commercial interiors, as well as temporary installations in transient materials.
Cynthia Cousens profiles Anne Brodie, who uses film, photography and glass, discussing her career development and fellowship to Antarctica in 2006/7.
Kate Stoddart profiles Andrea Walsh, discussing the development of her practice in ceramics and glass, work/life balance and the outcomes of a residency at Cove Park.
To preface a new ongoing series exploring relationships between artists and their collaborators, we asked some of today’s most interesting curators for insights into their practices.