Launching this autumn, Decode is a vibrant online e-zine, community space and industry resource for culturally diverse arts in the UK. It aims to support, connect and promote the work of upcoming, under-represented and established artists and organisations working in […]
Jane Watt profiles collaborations between artists and architects at two newly built schools, in the third of the six-part series ‘Navigating Places’.
North Light Gallery, Huddersfield
16 July – 27 September
An installation created by artist Adam Reynolds and Sign Dance Collective marked the retail launch of the Beatwax Relics at Zest Pharmacy in September. Sited in a purpose-built display case, the installation takes the form of a miniature glass house […]
In the second of the ‘Crossing over’ series, Nina Madden meets Kirsty Ogg, Director of London-based organisation The Showroom.
Cardiff: Plans are underway to transform a Victorian tram shed in Cardiff into a new contemporary art venue. The brainchild of Cardiff 2008 and architects Caruso St John, once established in 2005, Depot will provide a major international showing space […]
Chris Noraika discusses the pros and cons of working outside
of the commercial gallery stable system.
Jane Watt looks at artists and commissioners who are redefining what it means to work in the ‘public region’, in the second of the six-part series ‘Navigating Places’.
Planning is now underway for the third Liverpool Biennial in 2004, a foreground for the City of Culture programme in 2008. For the 2002 event, over 180,000 visits were recorded at the UK’s only biennial of contemporary visual art and […]
The first in a six-part series ‘Navigating places’, Jane Watt profiles the River Commissions project, a series of temporary works along the River Hull corridor.
Following graduation from the Royal College of Art, I undertook many major public commissions for clients including British Rail, British Gas and Unilever.
Lee Corner interviews Graham Fagen about his commission in Kosovo for the Imperial War Museum.
If you need a solicitor, it is important to be able to identify the right one to handle your particular situation and to prepare adequately, in order to minimise your costs. This checklist by Sheena Etches and Nicholas Sharpe outlines how to go about selecting a solicitor.
This checklist by Sheena Etches and Nicholas Sharp is a tool to help understand the purpose and content of a reproduction licence.
Devolution in the UK has hit this year’s Venice Biennale, with England, Scotland and Wales each having an independent presence there. This year, the British Pavilion will be showing the work of Chris Ofili; Scotland will be represented by Jim […]
Introduction to our resources on self-employment.
A partnership between Staffordshire County Council Arts Service and the Library Service resulted in the launch in February of a new state of the art mobile library with artist-designed exteriors. As a result of an open submission from West Midlands […]
ART SHEFFIELD 03 is the first citywide contemporary art event of its scale to take place in Sheffield. Running 29 March – 19 April, it will comprise a dazzling array of contemporary art events at the city’s major galleries and […]
Sarah Bodman explores a selection of recent limited edition works that show a fluid crossover between artists’ books and multiples.
In 2001 Zarina Bhimji wrote in [a-n] MAGAZINE about preparing to make her first film. Out of Blue, created for and premiered at Documenta 11, is currently being shown at Tate Britain. Here, Manick Govinda describes how a series of timely awards gave Bhimji the freedom to develop new work.
Artist-run Temple Arts Group (TAG) is based in Bethnal Green, east London. The six members – James Dean, Samantha Denny, Helena Koumbouzis, Rebecca Odgers, Kate Williams and myself – are all practising artists from a variety of disciplines including sculpture, […]
Linda Ball explores how artists, makers and desgners can find work outside their artform.
Lucy Kimbell outlines some issues that can arise from residencies in business settings and should be resolved in advance.
Lucy Kimbell looks at how artists and arts organisations can work with businesses and the pros and cons of such collaborations.
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