Sideshow
Various locations, Nottingham
22 October – 18 December
Various locations, Nottingham
22 October – 18 December
There’s a fine line between art making for its conceptual purpose and for its commercial value. Janet Hollins’ MA seems to offer opportunities to pursue both, but how does her blog tell the story? Richard Taylor investigates.
During its time as a hardware store, Rapid was proud to be the only independent to take up the entire street.
Commentary arising from research into local authority arts organisers’ needs, aspirations and modus operandi, revealing how they value and engage with artists and the approaches they take to their own professional development and to supporting the environment for contemporary visual arts.
Artists Bruce Gilchrist and Jo Joelson and curator Emma Underhill discuss their collaboration on a project to create a sculptural ‘habitat’ that will contribute to the life cycle of birds in two urban garden locations.
Sideshow will take place between October and December for the second time around whilst the quinquennial British Art Show visits Nottingham.
Thoughts from artists and arts professionals about how cuts in public spending will affect their future working pattern. Plus April Britski gives an account of how recent governmental decisions to cut arts funding have affected Canadian artists.
Selected round-up of forthcoming events, training courses and professional development opportunities from the world of new media arts and imaging.
Kate Raggett and Mandy Fowler give their recollections of an ambitious one-day land art workshop in rural Herefordshire that involved nearly 200 participants, several bales of straw, and a Cessna aircraft.
Public art projects, residencies and commissions in non-gallery spaces.
A guide for artists and arts organisers to creating a mutually-beneficial relationship.
Jayne Knight is Arts Development Manager at Suffolk County Council. She was the driving force behind Making Art Work, an ambitious and widely regarded professional development programme for Suffolk-based artists that ran from 1999 until 2006. She talks to Jane Watt about how the scheme developed, her work in a local authority and survival tips for rural-based artists.
Startling architectural interventions, large-scale touring exhibitions and ambitious commissions will transform the city of Norwich 7-22 May through Norfolk & Norwich Festival (NNF10) as it presents its first ever visual arts programme.
Francis Thorburn
Mobile Picnic Pavilion
At the beginning of March this year, the Arts Council of Wales hosted ‘Arts in Health and Well-being’, a conference about prevention, intervention and creative action in healthcare.
Clemens Kogler was born in Bayern in 1980 and is studying at The University of Arts, Linz. Starting out as a painter, he has also worked in advertising and television. His practice is now made up of being a graphic designer, animator, film maker, and illustrator among other roles. He is one of the artists based in Linz to be awarded a studio at the Salzamt for one year during 2009/2010. Kogler has exhibited and won awards at numerous film and animation festivals. sixpackfilm distribute some of his work and his commercial work is represented by Liberty Films in the UK.
Artist Kirsten Lavers and Andy O’Hanlon (Arts Development Officer for South Cambridgeshire District Council) talk about Kirsten’s appointment as community artist for Orchard Park, which led to the ambitious multi-layered collaborative project, Crop Marks.
Antony Gormley’s One and Other commission for the Fourth Plinth last year, and more recently Michael Landy’s Art Bin project at South London Gallery both suggest the emergence of a new form of artwork that has the capacity to engage mass audiences directly.
Artist Christine Wilcox-Baker recounts her residency at Tatton Park with Gardens Manager Sam Youd.
This month’s Bites.
Aldo Rinaldi and Katherine Daley-Yates discuss northcabin, a programme of site-specific commissions in an unusual venue in Bristol from 2008-09.
Exploring selected public realm interventions from across the UK.
Toby Paterson, Black Axonometric 1, 2006.
A selection of articles and other content dealing with artists’ income:
As part of the London 2012 Cultural Olympiad, the Unlimited programme is designed to celebrate disability, arts, culture and sport “on an unprecedented scale”.