Time lapse
Brian McClave and Gavin Peacock recall how they joined forces within their artistic careers, and discuss their motives for collaborating.
Brian McClave and Gavin Peacock recall how they joined forces within their artistic careers, and discuss their motives for collaborating.
Andrea Hawkins, Head of Public Engagement at Manchester’s Whitworth Art Gallery and artist Lucienne Cole talk about an innovative approach to publicly-engaged art.
Cooper Gallery, Dundee
15 November – 13 December
John Jones Project Space, London
2-31 October
Independent curator Jeni Walwin looks at issues relating to selling work and examines a number of different ways that artists can engage with the art world on a commercial basis.
Sarah Thelwall reveals that there is not one art market but several different ones. These markets are very different in terms of the artists, gallerists and collectors who participate and develop them. This Art market tour articulates the main markets and looks at what drives them.
In a world increasingly skewed by notions of commodity and markets, artists and creative practitioners must be proactive in seeking out opportunities that enable them to experiment and take the risks that will drive up the quality of their work.
Jane Watt looks into the world of academic research and examines research opportunities for artists within institutions and the UK higher education system.
Lauren Healey discusses Gallery Glues relationship to NAN.
Rachel Lois Clapham discusses David Blandy’s Artangel commissioned project Radio Nights that aimed to uncover aspects of nocturnal London that would otherwise be invisible to regular city dwellers.
Kathy Rae Huffan describes Central Asian Project, a programme of residencies and cultural exchange between artists from the UK and Kazakhstan that took place between 2006-08.
Catherine Wilson addresses three collaborative projects by Rio de Janeiro-based Mauricio Dias and Walter Riedweg who develop works with communities and social groups often on the edges of mainstream society.
Paul Stone talks to John Walter about his time at the British School at Rome.
An innovative art project designed to create a new identity for one of Londons most misunderstood areas launched in June on Peckham Square.
Kate Stoddart profiles jeweller Cynthia Cousens, looking specifically at awards, exhibitions and research projects.
Penny Jones profiles Clare Twomey, who makes large-scale ceramic installations for galleries and museums often in collaboration with the UK ceramics industry.
To preface a new ongoing series exploring relationships between artists and their collaborators, we asked some of today’s most interesting curators for insights into their practices.
PAD gallery, Preston
27 February 29 March
Charlotte Frost on some of the production activities of the Newcastle- and London-based Forma, drawing out different strands of its programme including curation, representation, initiation, distribution and public art.
Charlotte Frost delves into the on and offline world of Furtherfield.org, where web surfers are encouraged and enabled to become co-producers in art making/situating via platforms such as VisitorsStudio and projects like DIWO (Do It With Others).
Gillian Nicol introduces this months a-n Collection and considers the implication of the ACE Turning point recommendations on RFOs.
Chris Brown introduces a rulebook to guide you through the whys and wherefores of artist-led activity.
Introduction to Artists’ strategies and self-management
The Collecting Live Art symposium that launched independent curatorial initiative Collecting Live Art addressed key issues surrounding the collection, sustainability and legacy of live art.
Casino Luxembourg, Luxembourg
26 January 6 April