Radical positions
It would seem that politics has taken centre stage in contemporary art.
It would seem that politics has taken centre stage in contemporary art.
This Research papers series offers a timely response to the need for more easily accessible data and knowledge about, and for, artists.
As Anne Brodies Big Antarctica project blog draws to a close, C Moray de Morands compelling account of her Berlin residency is building up steam.
Cardiff Art In Time, affectionately known as the CAT Show, revives one of the seminal art festivals of the 1990s.
Derbyshire Community Foundation and the University of Derby announce their new partnership.
Over 4,300 practising artists are already benefiting from AIR
The launch of projects unedited in late November was the latest addition to a-ns series of open, interactive websites.
Twelve leading artists and writers are included in a new book addressing the creative process in contemporary performing arts.
Debra Savage’s case study-based research into the realities of professional artistic practice.
Artists projects in progress
Introducing the a-n+AIR scheme and its benefits for practising artists, highlighting what’s on offer and who’s involved in steering and shaping its programme.
Are artists part of the problem when it comes to global warming?
Every age rewrites its history in its own image. Each age produces art that reflects that image, whether consciously or not.
“The UK’s leading information and advocacy organisation for artists and their collaborators”, a-n, a newsletter and ‘artists information company’, has become so grossly over laden with the argot of management consultancy.
The launch of Arts Council Englands new strategy for contemporary visual arts heralds the sectors prioritisation by ACE.
Jane Watt examines NAN’s characteristics and its relationship to the current networking climate.
June marks the completion of a-ns 25-year programme of research, debate and publishing.
The Meeting of Minds Brain Sciences Project1 put citizens from nine European countries in open dialogue with brain scientists and policymakers, to explore and make decisions on key future concerns.
Notions of sharing knowledge and experiences both good and bad are inherent within those who seek continuous improvement and development in their artistic practices.
Our subscription package for further and higher education institutions.
The big difference between working in Britain and Europe is that here, you are not really expected to debate ideas. Money and marketing are what matter most. We live in an events culture in the UK. 1 This remark from […]
Our open space for critical writing about exhibitions, projects and publications is online now. Anyone can read the reviews or say something pertinent about a contemporary visual arts project. The site will grow as you contribute to it.
I read a-ns publication Future forecast: Curated Space, edited by Manick Govinda. I thought it was really good and was inspired. Especially liked Louise Short and The Centre of Attentions Pierre Coindes contributions and have written their comments in my […]
What if every school had a studio where children, parents, carers and teachers had the opportunity to experience art and discuss ideas with artists on a daily basis? What if every regeneration programme included a team of artists from the […]
Just a short note of thanks for asking us to participate in the Social space think-tank in September. We felt it really began to explore some of the important issues around the making of art in social space. In an […]